Got Caught in Amsterdam — Arc De Soleil1 / 2
Original RigYour Adaptation
GuitarCleanSolo80% confidence

Got Caught in Amsterdam Solo Guitar Tone Settings — Arc De Soleil

Arc De Soleil · 2010s+ · other

studio

Original Recording

Guitar
Unknown model (no direct source for this song/solo section)
Pickups
Unknown (no direct source for this song/solo section)
Amp
Unknown (no direct source for this song/solo section)
Pickup Position
Unknown (likely neck or neck+middle for clean solo, but not confirmed)

No direct evidence of specific guitar, pickups, or amp used for the clean solo section of 'Got Caught in Amsterdam' by Arc De Soleil. No studio or live rig details found. No year of recording confirmed, but Arc De Soleil is a modern project (2010s+).

Amp Settings

Mids
6
Bass
6
Gain
2.5
Reverb
5.5
Treble
6.5
Presence
6

Effects Chain

  • Malekko Heavy Industry E616 Analog Delay · delay
  • Reverb pedal (model unknown) · reverb

Guitar → Malekko E616 Analog Delay → Reverb pedal (model unknown) → Amp (clean channel)

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Tone Character

  • clean and glassy
  • ambient and spacious
  • clear note separation
  • lush delay trails
  • smooth attack
  • no audible breakup
  • studio-polished clarity
  • slightly modulated repeats
  • modern indie/ambient texture

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, pickup, amp, or pedal models used for the clean solo section of 'Got Caught in Amsterdam' by Arc De Soleil.
  • ⚠️All gear and settings are estimated based on genre (modern indie/ambient), era (2010s+), and typical clean tones with delay/reverb.
  • ⚠️No pedalboard, studio notes, or rig rundown found for this song or artist.
  • ⚠️Delay pedal (Malekko Heavy Industry E616 Analog Delay) is listed as part of Colin Newman's studio gear, but not explicitly tied to this song or solo.
  • ⚠️All effects and settings are inferred from audible characteristics and general gear trends for this style.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Arc De Soleil's solo tone on 'Got Caught in Amsterdam' is warm, dynamic, and slightly pushed at the edge of breakup, with a smooth mid-forward character typical of modern jazz-influenced chill guitar. The amp settings reflect a balanced, expressive sound with moderate reverb for ambience, matching the artist's usual taste for clarity and warmth.

Sources