Five Colours in Her Hair (Live at the O2) — McFly1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Five Colours in Her Hair (Live at the O2) Guitar Tone Settings

McFly · 2010s+ · rock

live

Original Recording

Guitar
Fender Telecaster Cabronita (Black, likely with Fidelitron pickups)
Pickups
Fender Fidelitron (Filter'Tron-style humbuckers)
Amp
Victory Sheriff 22 head into Ampeg R212R Reverberocket 2x12 combo (used as cab/power amp)
Pickup Position
Bridge pickup

Live at the O2, 2019; settings and pedal usage based on pedalboard photos and live rig documentation for this specific show. This is the live version, not the studio recording.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
3
Treble
7
Presence
6

Effects Chain

  • Pro Co RAT · distortion
  • Roger Mayer Voodoo-1 · overdrive

Fender Telecaster Cabronita → Pro Co RAT → Roger Mayer Voodoo-1 → Victory Sheriff 22 head → Ampeg R212R Reverberocket (cab/power amp, spring reverb on low)

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Tone Character

  • punchy and crunchy
  • bright and articulate
  • tight attack
  • full-bodied midrange
  • slightly compressed
  • dynamic and responsive
  • clear note separation
  • moderate sustain
  • no excessive saturation
  • classic British crunch

Notes & Caveats

  • ⚠️No direct numeric amp settings found; settings estimated based on Victory Sheriff 22 typical use for British crunch in modern pop-rock live context.
  • ⚠️Pedalboard photos confirm Pro Co RAT and Roger Mayer Voodoo-1 were present, but exact pedal settings are not documented.
  • ⚠️No evidence of time-based or modulation effects (delay, chorus, flanger, phaser) in the riff section; only overdrive/distortion pedals are confirmed.
  • ⚠️Pickup choice inferred from typical Telecaster usage for bright, crunchy rhythm and live video footage.
  • ⚠️Amp reverb is available on Ampeg R212R, but likely set low for clarity in a large arena mix.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. McFly's 'Five Colours in Her Hair' live tone is classic British crunch with punchy mids, moderate gain, and a bright but not harsh top end. Tom Fletcher typically used Marshall amps set for crunchy, forward mids and tight, energetic rock tones; the O2 live mix adds a touch of reverb for space but keeps things punchy and articulate.

Sources