GuitarDistortedSolo80% confidence
Ekballo Guitar Tone Settings
Erick Mathias, Alessandro Vilas Boas & ONE Sounds · 2010s+ · other
studio
Original Recording
Guitar
Unknown electric guitar (no evidence for specific model on this recording)
Pickups
Unknown (likely single coils or humbuckers, not specified for this recording)
Amp
Unknown (no explicit amp model confirmed for this solo recording)
Pickup Position
Likely bridge or middle position (not confirmed, inferred from solo clarity and brightness)
No direct evidence for exact guitar, pickup, or amp model used on the studio recording of 'Ekballo' solo. No official rig rundown, pedalboard photo, or interview found. No evidence for live vs. studio difference. All gear details are unconfirmed for this specific track.
Amp Settings
Mids6.5
Bass6
Gain4.5
Reverb5
Treble6.5
Presence6
Effects Chain
- Delay pedal (model unknown) · delay
- Reverb pedal (model unknown) · reverb
Guitar → Delay pedal → Reverb pedal → Amp
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Tone Character
- singing and sustained lead lines
- ambient spaciousness
- bright and clear upper mids
- smooth attack
- moderate reverb tail
- touch-sensitive response
- slightly compressed dynamics
- clear note separation
- no heavy distortion
- melodic and expressive phrasing
Notes & Caveats
- No direct source confirms the guitar, amp, or pedal models used on the 'Ekballo' solo recording.
- No official rig rundown, pedalboard photo, or interview found for this song/section.
- All settings and effects are estimated based on genre (modern worship/ambient), era (2010s+), and typical production style.
- No evidence for specific pickup position; inferred from tone.
- No evidence for effects loop usage.
- No evidence for live vs. studio differences; assuming studio context.
- No evidence for exact pedal models; effect types inferred from audio (delay, reverb, possible modulation).
- Settings cross-referenced with genre and era conventions for accuracy. The solo tone in 'Ekballo' is warm, dynamic, and expressive, sitting at the edge of breakup with a smooth, singing sustain typical of modern worship guitarists using boutique-style amps (e.g., Matchless, Vox, or Two-Rock). The mids are forward for clarity in the mix, bass is full but not boomy, treble is present but not harsh, and reverb adds space without washing out the notes.