Eclipse — TheDooo1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Eclipse Solo Guitar Tone Settings — TheDooo

TheDooo · 2010s+ · metal

studio

Original Recording

Guitar
ESP LTD EC-1000 Deluxe Koa
Pickups
Seymour Duncan humbuckers (likely JB/59 set, as per EC-1000 spec)
Amp
Peavey Vypyr (high gain amp, as referenced in community discussions)
Pickup Position
Bridge pickup

Settings and gear inferred from community sources and typical TheDooo setups. Studio recording, 2010s+ era. No direct evidence of live rig for this song.

Amp Settings

Mids
3
Bass
7
Gain
8.5
Reverb
2
Treble
8.5
Presence
6.5

Effects Chain

  • TC Electronic Infinite Sample Sustainer · other
  • Delay pedal (model unknown) · delay
  • Noise gate (model unknown) · noise_gate
  • Compressor pedal (model unknown) · compression

ESP LTD EC-1000 → Compressor → Noise Gate → TC Electronic Infinite Sample Sustainer → Delay → Peavey Vypyr (digital reverb on amp)

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Tone Character

  • tight and percussive
  • scooped mids
  • singing sustain
  • aggressive pick attack
  • bright and articulate highs
  • deep, punchy low end
  • compressed and focused
  • modern high-gain saturation
  • clear note separation
  • cutting lead presence

Notes & Caveats

  • ⚠️No official rig rundown or direct studio documentation for 'Eclipse' solo section; gear and settings inferred from community sources and typical TheDooo setups.
  • ⚠️Amp model (Peavey Vypyr) is suggested by community, not confirmed for this exact recording.
  • ⚠️Pedal/effects models are inferred from audible effects and TheDooo's known gear, not directly cited for this song.
  • ⚠️Settings are based on Reddit user reports and typical high-gain metal tones; mid at 0 is extreme but matches cited source.
  • ⚠️No explicit pickup selector info for this solo, but bridge humbucker is standard for this tone.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. TheDooo's 'Eclipse' solo section features a saturated, modern lead tone with tight low end, slightly forward mids for clarity, and enough treble/presence to cut through the mix without harshness. Reverb is subtle, as is typical for modern instrumental metal/rock solos, and the gain is high but not maxed, allowing note definition.

Sources