TonesMatch
Don't Cry — Guns N' Roses1 / 2
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GuitarDistortedSolo80% confidence

Don't Cry Solo Guitar Tone Settings — Guns N' Roses

Guns N' Roses · 1990s · rock

studio

Original Recording

Guitar
Gibson Les Paul Standard (late 1950s, likely 1959 replica or original)
Pickups
Seymour Duncan Alnico II Pro humbuckers
Amp
Marshall Silver Jubilee 2555 head into Marshall 4x12 cabinet
Pickup Position
Bridge pickup

Studio recording, Use Your Illusion I (1991). Slash's main Les Paul and Marshall Silver Jubilee setup confirmed for this era and song. No evidence of alternate guitars or amps for the solo section. Pedals and effects inferred from era, interviews, and audible effects in the solo.

Amp Settings

Mids
7
Bass
6
Gain
7.5
Reverb
3
Treble
7
Presence
6.5

Effects Chain

  • Dunlop Cry Baby Wah (likely GCB-95 or early signature model) · wah
  • Boss DD-3 Digital Delay (or similar digital delay pedal) · delay

Gibson Les Paul → Dunlop Cry Baby Wah → Boss DD-3 Digital Delay → Marshall Silver Jubilee 2555 head → Marshall 4x12 cab (amp spring reverb on)

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Tone Character

  • singing sustain
  • smooth, vocal-like lead tone
  • rich midrange presence
  • slightly saturated but not high-gain
  • clear note definition
  • touch-sensitive dynamics
  • warm, expressive bends
  • long, melodic phrasing
  • classic rock lead sound

Notes & Caveats

  • ⚠️No source provides exact numeric amp settings for the 'Don't Cry' solo; values estimated based on typical Marshall Silver Jubilee settings for Slash in this era and genre.
  • ⚠️Pedal models are inferred based on Slash's known studio/live rig and audible effects in the solo; no direct studio documentation for this specific track.
  • ⚠️No evidence of chorus, flanger, or phaser in the solo section; delay and wah are clearly audible.
  • ⚠️Settings are for studio recording, not live performances.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Slash's 'Don't Cry' solo tone is a saturated, singing lead with strong mids, moderate bass, and clear but not harsh treble, typical of his Les Paul into a cranked Marshall with moderate reverb from studio processing; these settings reflect his 1991 era preferences and the song's warm, expressive lead sound.

Sources