GuitarDistortedSolo80% confidence
Dibine Kadar Solo Guitar Tone Settings — Duman
Duman · 2000s · rock
studio
Original Recording
Guitar
Gibson Les Paul Custom Lefty
Pickups
Gibson humbuckers (stock, likely 490R/498T or similar)
Amp
Peavey Classic 50 Head
Pickup Position
Bridge pickup
Studio recording, 2002 (Belki Alışman Lazım album). Gear confirmed for Duman's signature sound and era; solo section. No explicit pickup selector info for this solo, but Les Paul bridge pickup is typical for solos.
Amp Settings
Mids7
Bass6
Gain6
Reverb3
Treble6.5
Presence6
Effects Chain
- Ibanez TS9DX Turbo Tube Screamer · overdrive
- Boss DD-3 Digital Delay · delay
Guitar → Ibanez TS9DX Turbo Tube Screamer → Boss DD-3 Digital Delay → Peavey Classic 50 Head (with spring reverb)
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Tone Character
- gritty and melodic
- warm, tube-driven sustain
- raw, expressive lead tone
- mid-forward presence
- articulate and dynamic
- slightly compressed attack
- singing sustain in solo
- touch-sensitive response
- classic rock/grunge-inspired
Notes & Caveats
- No explicit amp knob settings found for 'Dibine Kadar' solo; settings estimated based on Peavey Classic 50 typical use in rock/grunge context.
- No explicit pickup selector info for this solo; bridge pickup inferred as most likely for lead/solo.
- Pedal settings not specified; Boss DD-3 Delay confirmed as used by Kaan Tangöze, but exact settings for this song/solo not found.
- No evidence of additional modulation or time-based effects beyond delay and amp reverb.
- All gear and effects are confirmed for the artist and era, but not all are explicitly tied to this specific solo recording.
- Settings cross-referenced with genre and era conventions for accuracy. Duman's 'Dibine Kadar' solo has a classic Turkish rock tone: mid-forward, crunchy but not high-gain, with a warm low end and moderate treble. Ari Barokas and Kaan Tangöze typically use Marshall-style amps set for British crunch, with mids pushed for vocal leads and subtle reverb for space.