GuitarDistortedRiff80% confidence
Deep Red Riff Guitar Tone Settings — Movements
Movements · 2010s+ · rock
studio
Original Recording
Guitar
Fender Jazzmaster (exact model not specified, but confirmed in live/studio photos and interviews for this era)
Pickups
Fender Jazzmaster single-coil pickups
Amp
Fender '65 Twin Reverb, Fender '59 Twin, and Fender '68 Princeton (multiple amps used for double-tracking, but all Fender tube amps per studio interview)
Pickup Position
Bridge pickup
Studio recording, 2020 (recorded for the album 'No Good Left to Give'). Multiple Fender amps were used for double-tracking rhythm parts. Guitarist is the only guitarist in the band and tracked all parts. Settings estimated based on typical Jazzmaster into Fender Twin/Princeton for modern emo/post-hardcore rhythm tones. No evidence of live rig for this specific song/section.
Amp Settings
Mids5.5
Bass5.5
Gain6.5
Reverb3
Treble7
Presence5.5
Effects Chain
- JHS Panther Cub Analog Delay · delay
Fender Jazzmaster → JHS Panther Cub Analog Delay → Fender Twin Reverb/'59 Twin/'68 Princeton (spring reverb on amp)
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Tone Character
- tight and punchy
- slightly gritty edge
- clear, articulate chord voicings
- dynamic and responsive
- full-bodied midrange
- bright but not harsh
- modern emo/post-hardcore crunch
- studio double-tracked
- present attack
- controlled low end
Notes & Caveats
- No explicit amp knob settings found for 'Deep Red' riff; settings estimated based on Fender Twin/Princeton typical use for modern emo/post-hardcore rhythm tones.
- Multiple amps and guitars were used for double-tracking; exact amp/guitar for main riff not specified, but all confirmed as Fender tube amps and Jazzmaster.
- Pedalboard for this specific song/section not published; effects inferred from interview and genre conventions.
- No evidence of modulation (chorus/flanger/phaser) or wah in riff section; delay and reverb likely from pedals/amp but not explicitly confirmed for riff.
- JHS Panther Cub analog delay and Old Blood Noise Endeavors pedals mentioned as used on the album, but not tied to riff section specifically.
- Settings cross-referenced with genre and era conventions for accuracy. Movements' 'Deep Red' riff features a modern, saturated post-hardcore tone—tight but not overly scooped, with moderate mids and slightly boosted treble/presence for clarity. The gain is high but not extreme, and the reverb is minimal, matching the genre's dry, punchy production style.