GuitarDistortedRiff
Deep Red Riff Guitar Tone Settings — Movements
Movements · 2010s+ · rock
studio
Original Recording
Guitar
Fender Jazzmaster (exact model not specified, but confirmed in live/studio photos and interviews for this era)
Pickups
Fender Jazzmaster single-coil pickups
Amp
Fender '65 Twin Reverb, Fender '59 Twin, and Fender '68 Princeton (multiple amps used for double-tracking, but all Fender tube amps per studio interview)
Pickup Position
Bridge pickup
Studio recording, 2020 (recorded for the album 'No Good Left to Give'). Multiple Fender amps were used for double-tracking rhythm parts. Guitarist is the only guitarist in the band and tracked all parts. Settings estimated based on typical Jazzmaster into Fender Twin/Princeton for modern emo/post-hardcore rhythm tones. No evidence of live rig for this specific song/section.
Amp Settings
Mids5.5
Bass5.5
Gain6.5
Reverb3
Treble7
Presence5.5
Effects Chain
- JHS Panther Cub Analog Delay · delay
Fender Jazzmaster → JHS Panther Cub Analog Delay → Fender Twin Reverb/'59 Twin/'68 Princeton (spring reverb on amp)
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Tone Character
- tight and punchy
- slightly gritty edge
- clear, articulate chord voicings
- dynamic and responsive
- full-bodied midrange
- bright but not harsh
- modern emo/post-hardcore crunch
- studio double-tracked
- present attack
- controlled low end
Tone Story / Why This Tone Works
studio