Cryin' — Mateus Asato1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Cryin' Riff Guitar Tone Settings — Mateus Asato

Mateus Asato · 2010s+ · other

studio

Original Recording

Guitar
Fender Custom Shop Stratocaster
Pickups
Single-coil (likely Fender Custom Shop single-coils)
Amp
Unknown (likely Fender or Two-Rock style clean amp, but no explicit source for this recording)
Pickup Position
Position 4 (neck + middle)

Studio recording, released in the late 2010s. No explicit amp or pedalboard details for the 'Cryin'' riff section found in sources. Guitar visually confirmed as Stratocaster in multiple photos from this era.

Amp Settings

Mids
6.5
Bass
6
Gain
3.5
Reverb
5
Treble
6.5
Presence
5.5

Effects Chain

  • Compressor pedal (model unknown) · compression
  • Reverb pedal (model unknown) · reverb
  • Delay pedal (model unknown) · delay

Fender Custom Shop Stratocaster → Compressor → Reverb → Delay → Clean amp

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Tone Character

  • glassy and articulate
  • warm and round
  • slightly compressed
  • touch-sensitive
  • clear note separation
  • ambient spaciousness
  • chimey high end
  • percussive attack
  • singing sustain
  • dynamic response

Notes & Caveats

  • ⚠️No direct source lists the exact amp, pedal, or settings for the 'Cryin'' riff section.
  • ⚠️Guitar model inferred from multiple photos and Mateus Asato's known preferences during this era.
  • ⚠️Amp model and settings estimated based on genre, era, and typical Mateus Asato tones.
  • ⚠️Effects inferred from audio and artist's typical pedalboard; no explicit pedalboard photo or rig rundown for this recording.
  • ⚠️Pickup selector position inferred from typical Mateus Asato clean/funky tones and audio characteristics.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Mateus Asato's 'Cryin'' riff features a dynamic, edge-of-breakup tone with rich mids, smooth highs, and a touch of ambient reverb, typical of his Suhr/Strat-style guitars into a clean-to-pushed amp (like a Two-Rock or Suhr Bella). The settings reflect his preference for expressive, touch-sensitive tones with warmth and clarity.

Sources