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Cryin' — Mateus Asato1 / 2
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Cryin' Solo Guitar Tone Settings — Mateus Asato

Mateus Asato · 2010s+ · other

studio

Original Recording

Guitar
Suhr Classic S (Mateus Asato Signature, likely Olympic White, SSS configuration)
Pickups
Suhr V60LP single-coil pickups
Amp
Suhr Bella (combo or head/cab, clean platform amp)
Pickup Position
Neck pickup

Studio recording, released 2020. Gear inferred from Mateus Asato's documented studio rig for this era and his signature guitar/amp partnership. No direct source confirms exact amp for 'Cryin'' but Suhr Bella is his main studio amp for clean/ambient tones.

Amp Settings

Mids
6.5
Bass
6
Gain
4
Reverb
5.5
Treble
6.5
Presence
6

Effects Chain

  • Compressor pedal (model unknown) · compression
  • Reverb pedal (model unknown) · reverb
  • Delay pedal (model unknown, likely digital or analog with short/slap-back setting) · delay

Suhr Classic S → Compressor → Delay → Reverb → Suhr Bella amp

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Tone Character

  • lush and ambient
  • smooth and singing sustain
  • crystal-clear articulation
  • warm and expressive
  • touch-sensitive
  • subtle compression
  • slightly scooped mids
  • liquid, vocal-like phrasing
  • airy top end
  • no audible overdrive

Notes & Caveats

  • ⚠️No direct source confirms exact amp or pedal models/settings for the 'Cryin'' solo; gear and settings are inferred from Mateus Asato's typical studio rig and genre conventions.
  • ⚠️No explicit pickup selector position is cited, but neck pickup is strongly inferred from the tone and Mateus's known preferences.
  • ⚠️Pedal models are not confirmed; effect types are based on audible cues and forum consensus.
  • ⚠️Amp settings are estimated based on typical Suhr Bella clean platform usage for ambient/modern fusion tones.
  • ⚠️If future interviews or rig rundowns specify different gear for this recording, update accordingly.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Mateus Asato's 'Cryin'' solo tone is smooth, dynamic, and expressive, with edge-of-breakup gain, warm lows, forward mids, and sweet highs. He typically uses a Suhr-style amp or similar boutique clean-to-crunch platform, with moderate reverb and presence for clarity and space.

Sources