Booster Seat — Spacey Jane1 / 2
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Booster Seat Riff Guitar Tone Settings — Spacey Jane

Spacey Jane · 2010s+ · rock

studio

Original Recording

Guitar
Fender Jaguar
Pickups
Fender Jaguar single-coil pickups
Amp
Unknown (likely Fender or similar clean amp, not specified for this recording)
Pickup Position
Neck pickup (likely, for jangly, bright riff tone)

Studio recording, 2020. Guitarist Ashton Hardman-Le Cornu is confirmed to use a Fender Jaguar for Spacey Jane's signature sound. No explicit amp model or pedalboard for 'Booster Seat' riff section found in sources.

Amp Settings

Mids
6.5
Bass
6
Gain
4
Reverb
5
Treble
6.5
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Fender Jaguar → Delay pedal (model unknown) → Clean amp (likely Fender) with spring reverb

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Tone Character

  • jangly and melodic
  • shimmering highs
  • bright and articulate
  • touch of reverb and delay
  • dynamic and lively
  • clean and clear
  • melodic and upbeat
  • evocative and nostalgic
  • intricate melodies
  • engaging rhythm

Notes & Caveats

  • ⚠️No explicit amp model or pedal settings found for 'Booster Seat' riff section; amp and settings estimated based on typical indie rock Fender Jaguar setups and genre/era.
  • ⚠️Pedalboard and effects for this specific recording not confirmed in sources; delay and reverb inferred from Equipboard description and audible in recording.
  • ⚠️Pickup selector position not explicitly stated; neck pickup inferred from tone descriptors and typical usage.
  • ⚠️Amp model is not specified for the studio recording; settings are estimated for a clean, jangly indie rock tone.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The 'Booster Seat' riff tone is edge-of-breakup with a jangly, open indie rock character—likely a Fender-style amp with moderate gain, slightly boosted mids for presence in the mix, balanced bass and treble, and subtle spring reverb for space. These settings reflect Spacey Jane's typical clean-but-pushed amp tone and genre conventions.

Sources