Bohemian Rhapsody — Queen1 / 2
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Bohemian Rhapsody Solo Guitar Tone Settings — Queen

Queen · 1970s · rock

studio

Original Recording

A reconstruction of the solo tone. Gear attributions and estimated settings are explained in the research notes below.

Guitar
Brian May Red Special
Pickups
Burns Tri-Sonic single coils (custom wired, neck and middle in series, out of phase)
Amp
Vox AC30 (Top Boost, 1970s, studio version)
Pickup Position
Neck and middle pickups in series, out of phase (Red Special custom wiring)

Studio recording, 1975. All gear and settings refer to the original studio version, not live. Brian May used his Red Special with unique pickup wiring and a Vox AC30. Clean sections are achieved by rolling back the guitar volume and using a treble booster for clarity, but with low gain for clean passages.

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
7.5
Bass
6
Gain
0
Reverb
2.5
Treble
6.5
Presence
5.5

Effects Chain

  • Dallas Rangemaster Treble Booster (or similar treble booster) · boost

Red Special → Treble Booster → Vox AC30 (with light spring reverb)

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Tone Character

  • bell-like clarity
  • articulate and dynamic
  • nasal, out-of-phase character
  • warm but not muddy
  • touch-sensitive response
  • clean with subtle sparkle
  • slightly compressed attack
  • harmonic richness
  • no audible breakup
  • vintage British clean

Sources