Crazy Little Thing Called Love — Queen1 / 2
Original RigYour Adaptation
GuitarDistortedSolo

Crazy Little Thing Called Love Solo Guitar Tone Settings — Queen

Queen · 1970s · rock

studio

Original Recording

Guitar
Fender Telecaster (likely 1970s, possibly black or blonde, used for solo section)
Pickups
Fender single-coil Telecaster bridge pickup
Amp
Vox AC30 (likely 1970s Top Boost, studio recording)
Pickup Position
Bridge pickup

Studio recording, 1979. Brian May used a Telecaster for the solo at producer Reinhold Mack's suggestion to achieve a James Burton-style rockabilly tone. The rest of the song uses different guitars, but the solo is confirmed Telecaster. No pedals are confirmed for the studio solo; May's usual treble booster may not have been used. No evidence of modulation or time-based effects in the solo section.

Amp Settings

Mids
7
Bass
5.5
Gain
4
Reverb
2
Treble
7
Presence
6

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Tone Character

  • bright and twangy
  • articulate and percussive
  • edge-of-breakup clarity
  • dynamic and touch-sensitive
  • minimal sustain
  • quick note decay
  • tight midrange
  • slightly compressed
  • clean with a biting edge
  • clear separation between notes

Sources