Billion Dollar Babies — Alice Cooper1 / 2
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Billion Dollar Babies Riff Guitar Tone Settings — Alice Cooper

Alice Cooper · 1970s · rock

studio

Original Recording

Guitar
Gibson Les Paul Standard (Hunterburst, Steve Hunter's guitar on the recording)
Pickups
Humbuckers (likely Gibson PAF-style, original to the Les Paul Standard)
Amp
Marshall amplifier (exact model not specified, likely a Plexi or Super Lead, as used in early 1970s rock sessions)
Pickup Position
Bridge pickup

Studio recording, 1972-1973, Billion Dollar Babies album. Steve Hunter played the main riff section using his Hunterburst Les Paul through a cranked Marshall amp. No evidence of live/touring rig or alternate guitars for this part.

Amp Settings

Mids
3.5
Bass
4.5
Gain
7.5
Reverb
2
Treble
8
Presence
6.5

Effects Chain

  • Overdrive pedal (model unknown) · overdrive

Gibson Les Paul Standard → Overdrive pedal (if used) → Marshall amp (spring reverb low)

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Tone Character

  • aggressive British crunch
  • tight and percussive attack
  • bright and cutting
  • focused mid-scoop
  • classic 1970s hard rock edge
  • saturated but not fuzzy
  • articulate riff clarity
  • punchy low end (though not boomy)
  • slightly compressed dynamics
  • raw, in-your-face presence

Notes & Caveats

  • ⚠️No official studio documentation of amp model or settings; settings are based on a forum post and typical 1970s Marshall usage.
  • ⚠️No direct evidence of pedals used on the studio recording; overdrive pedal mentioned in forum may be speculative.
  • ⚠️Pickup choice inferred from typical hard rock riff tone and Les Paul bridge pickup usage.
  • ⚠️Effects are estimated based on genre and era; no explicit mention of delay or modulation effects in sources.
  • ⚠️Settings from Source 1 are extreme (bass and mids at 0, treble at 10); these are likely exaggerated for effect and have been slightly moderated for realism.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The 'Billion Dollar Babies' riff has a classic early-70s British crunch with pronounced mids, moderate gain, and a tight but not overly scooped low end, characteristic of cranked Marshall-style amps used by Alice Cooper's guitarists. The tone is punchy and forward, with subtle reverb from the era's production, and settings reflect typical hard rock conventions of the time.

Sources