Bercanda Di Malam Indah — MASDO1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Bercanda Di Malam Indah Solo Guitar Tone Settings — MASDO

MASDO · 2010s+ · rock

studio

Original Recording

Guitar
Epiphone Riviera 2000s - Korea
Pickups
Epiphone mini-humbuckers (stock or similar, semi-hollow, likely both pickups used for solo)
Amp
Ceriatone British Style JCM800 2204 HW
Pickup Position
Middle position (both pickups on Epiphone Riviera)

Studio recording, circa late 2010s; gear inferred from Equipboard listings for Asmawi (guitarist for MASDO) and AG Coco (producer/guest guitarist); no direct confirmation for this exact solo, but Epiphone Riviera and JCM800 are most documented for MASDO's lead tones in this era.

Amp Settings

Mids
7
Bass
6
Gain
5
Reverb
4
Treble
7
Presence
6

Effects Chain

  • Fulltone Full-Drive2 Mosfet · overdrive
  • Dunlop TS-1 Tremolo Stereo Pan · tremolo
  • Reverb pedal (model unknown) · reverb

Epiphone Riviera 2000s → Fulltone Full-Drive2 Mosfet → (possible) Dunlop TS-1 Tremolo → Reverb pedal → Ceriatone JCM800 2204 HW

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Tone Character

  • bright and articulate
  • open and airy
  • smooth midrange
  • singing sustain
  • slightly compressed attack
  • touch-sensitive
  • vintage-inspired
  • clear note separation
  • mild breakup
  • semi-hollow resonance

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar/pickup/amp for this solo; Epiphone Riviera and Ceriatone JCM800 are inferred from most common MASDO lead setups in this era.
  • ⚠️No numeric amp settings found; values estimated based on typical JCM800 settings for classic rock/retro pop with semi-hollow guitars.
  • ⚠️No pedalboard photo or interview confirms effects for this specific solo; pedal choices inferred from AG Coco's and Asmawi's documented boards and audible clues.
  • ⚠️Reverb level estimated; JCM800 does not have built-in reverb, so likely added via pedal or studio.
  • ⚠️If a different guitar (e.g., Fender Jazzmaster) was used for this solo, confidence would be lower; Epiphone Riviera is most documented for MASDO leads.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. MASDO's solo guitar tone is warm, slightly overdriven (edge of breakup), and vintage-inspired, reflecting 60s/70s Malay pop-yeh-yeh and British rock. The amp settings favor mid-forward clarity, smooth highs, and moderate reverb for space, matching their typical Vox/clean tube amp usage and production style.

Sources