GuitarDistortedSolo80% confidence
Bercanda Di Malam Indah Solo Guitar Tone Settings — MASDO
MASDO · 2010s+ · rock
studio
Original Recording
Guitar
Epiphone Riviera 2000s - Korea
Pickups
Epiphone mini-humbuckers (stock or similar, semi-hollow, likely both pickups used for solo)
Amp
Ceriatone British Style JCM800 2204 HW
Pickup Position
Middle position (both pickups on Epiphone Riviera)
Studio recording, circa late 2010s; gear inferred from Equipboard listings for Asmawi (guitarist for MASDO) and AG Coco (producer/guest guitarist); no direct confirmation for this exact solo, but Epiphone Riviera and JCM800 are most documented for MASDO's lead tones in this era.
Amp Settings
Mids7
Bass6
Gain5
Reverb4
Treble7
Presence6
Effects Chain
- Fulltone Full-Drive2 Mosfet · overdrive
- Dunlop TS-1 Tremolo Stereo Pan · tremolo
- Reverb pedal (model unknown) · reverb
Epiphone Riviera 2000s → Fulltone Full-Drive2 Mosfet → (possible) Dunlop TS-1 Tremolo → Reverb pedal → Ceriatone JCM800 2204 HW
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Tone Character
- bright and articulate
- open and airy
- smooth midrange
- singing sustain
- slightly compressed attack
- touch-sensitive
- vintage-inspired
- clear note separation
- mild breakup
- semi-hollow resonance
Notes & Caveats
- No direct source confirms the exact guitar/pickup/amp for this solo; Epiphone Riviera and Ceriatone JCM800 are inferred from most common MASDO lead setups in this era.
- No numeric amp settings found; values estimated based on typical JCM800 settings for classic rock/retro pop with semi-hollow guitars.
- No pedalboard photo or interview confirms effects for this specific solo; pedal choices inferred from AG Coco's and Asmawi's documented boards and audible clues.
- Reverb level estimated; JCM800 does not have built-in reverb, so likely added via pedal or studio.
- If a different guitar (e.g., Fender Jazzmaster) was used for this solo, confidence would be lower; Epiphone Riviera is most documented for MASDO leads.
- Settings cross-referenced with genre and era conventions for accuracy. MASDO's solo guitar tone is warm, slightly overdriven (edge of breakup), and vintage-inspired, reflecting 60s/70s Malay pop-yeh-yeh and British rock. The amp settings favor mid-forward clarity, smooth highs, and moderate reverb for space, matching their typical Vox/clean tube amp usage and production style.