GuitarDistortedRiff
Am I Evil? Riff Guitar Tone Settings — Diamond Head
Diamond Head · 1980s · metal
studio
Original Recording
Guitar
1974 Gibson Flying V
Pickups
Stock Gibson humbuckers (likely T-Top humbuckers)
Amp
Marshall Super Lead 100 (Model 1959, early 1970s, likely with 4x12 cabinet)
Pickup Position
Bridge pickup
Studio recording, 1979-1980, for the 'Lightning to the Nations' album. No evidence of pedals or effects used for the riff section; classic British metal setup.
Amp Settings
Mids6
Bass5.5
Gain7.5
Reverb0
Treble7
Presence6
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Tone Character
- tight and percussive
- aggressive attack
- saturated British crunch
- focused midrange punch
- articulate power chord definition
- minimal ambience
- classic NWOBHM rhythm tone
- raw and uncompressed
- slightly scooped but present mids
- percussive low end
Playing Technique
- Downpick the main pulse · difficulty 3/5Use firm, even downstrokes for the repeated power-chord hits. The attack should feel deliberate and slightly aggressive; adding gain cannot replace the physical punctuation of the picking hand.
- Palm-mute only the right strings · difficulty 3/5Mute the low strings enough to make the chugs compact, but let the fretted chord tones open up at the phrase accents. Over-muting makes the riff small and removes its NWOBHM lift.
- Keep the open-string transitions clean · difficulty 2/5Release and replant the fretting hand without dragging noise between shapes. A dry amp setting exposes sloppy transitions, while the controlled noise floor keeps the riff articulate.
- Push the pick through the string · difficulty 2/5Use a confident pick depth and attack rather than a soft brush. This brings out the British upper-mid bite and keeps the Flying V-style humbucker voice from sounding flat.
Sources
Tone Story / Why This Tone Works
- NWOBHM foundationThe song sits in Diamond Head's 1980 Lightning to the Nations era, a formative British heavy-metal moment that later became central to the genre's riff vocabulary.
- Brian Tatler’s voiceTatler is a riff-first guitarist: heavy, melodic, and economical, with a strong sense of how a single guitar figure can carry an entire arrangement.
- British gear evidenceThe page's Flying V and Marshall Super Lead-style evidence supports saturated British crunch with focused mids, not modern compressed metal gain.
- Why the riff landsDry space, percussive low end, and precise palm muting let the chromatic movement feel enormous without becoming blurry.
What Fans Are Saying About This Tone?
From YouTube commentsDiamond Head - Am I Evil?Diamond Head Official · 8,413 likes on featured comments
Even I, Dave Mustaine, find this badass.
Vote your take"Am I evil? I am man. Yes I am." Really doesn't get much more metal than that.
Vote your takeThis shows how heavy influence Diamond Head has had on Metallica. What a great classic.
Vote your take