GuitarDistortedRiff80% confidence
All She Wrote (2024 Remaster) Guitar Tone Settings — FireHouse
FireHouse · 1990s · rock
studio
Original Recording
Guitar
Gibson Les Paul Standard (likely 1980s/early 1990s, as used by Bill Leverty in FireHouse studio recordings)
Pickups
Seymour Duncan JB (bridge humbucker), stock neck humbucker
Amp
Marshall JCM800 2203 (studio recording, typical for FireHouse's debut album era)
Pickup Position
Bridge pickup
Studio recording, 1990/early 1991 original session; 2024 Remaster uses same tracks. No evidence of alternate guitars/amps for riff section. No evidence of live rig or alternate gear for this part.
Amp Settings
Mids5.5
Bass6
Gain7.5
Reverb2
Treble7
Presence6.5
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Tone Character
- tight and percussive
- aggressive pick attack
- full-bodied bridge humbucker sound
- crisp upper mids
- controlled low-end
- slight amp reverb for space
- studio-polished
- high-gain saturation
- articulate rhythm clarity
Notes & Caveats
- No direct source for exact amp/guitar/pedal settings for 'All She Wrote (2024 Remaster)' riff section; gear and settings estimated based on FireHouse's known studio rig, genre, and era.
- No evidence of pedal use or modulation/time-based effects in the riff section; settings inferred from typical Marshall JCM800 usage in early 1990s hard rock.
- No explicit pickup selector info; bridge humbucker inferred from tone and genre.
- No evidence of effects loop or studio post-processing effects on the main riff guitar.
- Settings cross-referenced with genre and era conventions for accuracy. FireHouse's 'All She Wrote' riff has a saturated late-80s/early-90s hard rock tone: high gain but not modern metal, tight low end, slightly scooped mids, and bright but not harsh treble. Bill Leverty typically used a Soldano SLO-100 or Marshall with these settings, and the production is punchy and relatively dry, matching these values.