GuitarDistortedRiff80% confidence
Albatross Riff Guitar Tone Settings — Corrosion of Conformity
Corrosion of Conformity · 1990s · metal
studio
Original Recording
Guitar
Gibson Les Paul Goldtop
Pickups
P-90 single coil (neck position)
Amp
Mesa/Boogie .50 Caliber+ head
Pickup Position
Neck pickup
Studio recording, 1994 (Deliverance album). Goldtop P-90 neck pickup confirmed for riff section. Mesa/Boogie .50 Caliber+ head used for main rhythm tone. No evidence of Orange Thunderverb or ESP guitars on this specific recording; those are later/live rigs.
Amp Settings
Mids6.5
Bass7
Gain7
Reverb2
Treble6
Presence5.5
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Tone Character
- warm and smooth
- fat midrange
- slightly compressed
- open and dynamic
- touch-sensitive
- classic stoner/doom crunch
- not overly saturated
- clear note separation
- big, round low end
- slight amp reverb ambience
Notes & Caveats
- No direct numeric amp settings found for the studio recording; settings estimated based on typical Mesa/Boogie .50 Caliber+ usage for 1990s stoner/doom metal and forum discussions.
- Pedal use for the original studio riff is unconfirmed; later/live rigs include Tube Screamer, Phase 90, etc., but no evidence for their use on the original 'Albatross' riff recording.
- All effects listed are based on audible characteristics and available rig documentation for the era; no pedalboard photos or session notes from the Deliverance recording.
- Presence and reverb values are estimated based on typical Mesa/Boogie .50 Caliber+ settings for this genre and era.
- Settings cross-referenced with genre and era conventions for accuracy. Pepper Keenan’s tone on 'Albatross' is thick, mid-forward, and crunchy but not overly saturated, typical of early 90s Southern metal with a stoner/doom influence. The amp settings reflect a beefy low end, strong mids, restrained treble, and minimal reverb for a dry, punchy riff sound.