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96 Quite Bitter Beings Riff Guitar Tone Settings — CKY
CKY · 1990s · rock
studio
Original Recording
Guitar
Charvel San Dimas Style 2
Pickups
Seymour Duncan JB (bridge humbucker)
Amp
Marshall JCM2000 Dual Super Lead
Pickup Position
Bridge pickup
Studio recording, 1999 (CKY Vol. 1). Guitarist: Chad I Ginsburg. Gear confirmed for album era; settings based on user attempts to match studio tone and known artist gear. No evidence of live/touring substitutions for the original recording.
Amp Settings
Mids5
Bass6.5
Gain7.5
Reverb0
Treble7.5
Presence5.5
Effects Chain
- Boss OC-2 Octave · octave
Charvel San Dimas Style 2 (bridge humbucker) → Boss OC-2 Octave → Marshall JCM2000 DSL (no reverb, high gain)
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Tone Character
- thick and articulate
- tight palm-muted chugs
- aggressive and saturated
- mid-forward punch
- high-output humbucker clarity
- mono octave effect for synth-like depth
- percussive attack
- no ambient reverb
- British amp crunch
- groove-laden, riff-focused
Notes & Caveats
- No direct studio knob photos or official rig rundown for this specific song; amp and pedal models inferred from multiple sources and era-correct gear.
- Amp settings are averaged from user attempts to match the tone and typical Marshall JCM2000 usage for this genre/era.
- Pedal settings for the Boss OC-2/OC-3 are based on user recreation and typical usage for this riff.
- No evidence of additional effects (delay, chorus, reverb, etc.) in the riff section; octave effect is clearly audible and confirmed by multiple sources.
- Settings cross-referenced with genre and era conventions for accuracy. CKY's '96 Quite Bitter Beings' features a saturated, tight, and percussive high-gain tone typical of late-90s/early-2000s post-grunge/alt-metal, likely using a Mesa/Boogie Dual Rectifier with moderate bass, slightly scooped mids, and boosted treble/presence for clarity. The recording is very dry, with no audible reverb.