GuitarDistortedRiff80% confidence
Who Did You Think I Was (Live at the Nokia Theatre, Los Angeles, CA - December 2007) Guitar Tone Settings
John Mayer · 2000s · blues
live
Original Recording
Guitar
Fender Stratocaster (John Mayer Signature, likely 2005-2007 model, Black One or Custom Shop)
Pickups
Fender Custom Shop 'Big Dipper' single-coil pickups
Amp
Two-Rock Custom Reverb Signature (with possible Dumble Steel String Singer and Fender Vibro-King in three-amp blend, but Two-Rock is primary for riff section)
Pickup Position
Position 4 (neck + middle)
Live performance at Nokia Theatre, Los Angeles, December 2007 (Where the Light Is). Gear confirmed for this era and show by Equipboard and multiple rig rundowns. Studio vs. live: These are live settings. Mayer's signature Strat and Two-Rock amp are confirmed for this tour and song. No evidence of alternate guitars or amps for this riff section.
Amp Settings
Mids6.5
Bass7
Gain4.5
Reverb2.5
Treble6
Presence5.5
Effects Chain
- Klon Centaur · overdrive
Guitar → Klon Centaur → Two-Rock Custom Reverb Signature (with light spring reverb)
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Tone Character
- touch-sensitive and dynamic
- warm and glassy
- edge-of-breakup crunch
- articulate single-coil clarity
- slightly compressed
- percussive attack
- clear note separation
- responsive to picking dynamics
- mild breakup when digging in
- Texas blues shuffle feel
Notes & Caveats
- No direct numeric amp knob settings for this exact live performance found; settings estimated based on era-correct Two-Rock amp use, genre, and typical Mayer rig rundowns.
- Pedal order and exact settings inferred from multiple forum and rig rundown sources; no official pedalboard photo from this exact show.
- No evidence of modulation or time-based effects (delay, chorus, flanger, etc.) in the riff section; only mild amp reverb is audible.
- Guitar and amp models are confirmed for this tour and song, but some sources mention Mayer's three-amp blend; for the riff, Two-Rock is most prominent.
- Settings cross-referenced with genre and era conventions for accuracy. John Mayer's live tone for this era is edge-of-breakup with a fat, mid-forward character, using a Two-Rock Custom Reverb or similar amp. The bass is full but not boomy, mids are prominent for blues-rock punch, treble is slightly rolled off for warmth, presence is neutral, and reverb is subtle for space without washing out the riff.