White Wedding, Pt. 1 — Billy Idol1 / 2
Original RigYour Adaptation
GuitarCleanSolo

White Wedding, Pt. 1 Solo Guitar Tone Settings — Billy Idol

Billy Idol · 1980s · rock

studio

Original Recording

A reconstruction of the solo tone. Gear attributions and estimated settings are explained in the research notes below.

Guitar
Hamer S-Style (custom, 1980s, likely with DiMarzio pickups)
Pickups
DiMarzio single-coil (exact model unknown, likely SSL-1 or similar for clean tone)
Amp
Marshall Plexi (likely 1959 Super Lead, studio recording, 1982)
Pickup Position
Neck pickup (or position 4, neck + middle, for extra shimmer)

Studio recording, 1982. Steve Stevens pictured in 1986 with Hamer S-Style, referenced as his main guitar for this era. Marshall Plexi or JCM800 suggested by forum consensus for clean and overdriven tones. No evidence of Mesa Boogie or other amps for this specific clean section.

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
6.5
Bass
6
Gain
0
Reverb
3
Treble
7
Presence
6

Effects Chain

  • Chorus pedal (model unknown) · chorus

Hamer S-Style → Chorus pedal (model unknown) → Marshall Plexi (with spring reverb)

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Tone Character

  • bright and articulate
  • clean, glassy attack
  • slightly compressed
  • chorus shimmer
  • tight, percussive palm-muted strums
  • clear note separation
  • warm but not muddy
  • studio clarity
  • 80s pop-rock sheen
  • dynamic response to picking

Sources