TonesMatch
Welcome Home — Coheed and Cambria1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Welcome Home Solo Guitar Tone Settings — Coheed and Cambria

Coheed and Cambria · 2000s · metal

studio

Original Recording

Guitar
Gibson Custom Shop EDS-1275 Double-Neck
Pickups
Seymour Duncan JB (bridge position, both necks)
Amp
Orange Dual Dark 100 (studio, via re-amping or Kemper/Axe-Fx II profiling)
Pickup Position
Bridge pickup

Studio recording, 2005 (Good Apollo, I'm Burning Star IV era). Guitar confirmed for 'Welcome Home' solo. Amp is Orange Dual Dark 100, likely profiled or re-amped via Axe-Fx II or Kemper. No evidence of live rig or alternate guitars/amps for this section.

Amp Settings

Mids
6
Bass
6
Gain
8
Reverb
2
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Gibson EDS-1275 (bridge pickup) → Delay pedal (model unknown) → Orange Dual Dark 100 (with spring reverb, likely via Axe-Fx II/Kemper profiling)

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • tight, saturated high-gain lead sound
  • singing sustain
  • aggressive pick attack
  • articulate note separation
  • harmonic overtones
  • slightly scooped but present mids
  • crisp, defined top end
  • controlled feedback in bends
  • modern prog-metal clarity
  • powerful, cutting solo presence

Notes & Caveats

  • ⚠️No direct numeric amp settings found; settings estimated based on Orange Dual Dark 100 typical high-gain usage, genre, and era.
  • ⚠️Pedal/effects chain for the solo is not explicitly documented for the studio recording; delay is clearly audible in the solo, but model is not confirmed.
  • ⚠️Amp model confirmed via profiling/re-amping, not direct mic'ing.
  • ⚠️No evidence of wah, chorus, flanger, or phaser in the solo section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Claudio Sanchez used a high-gain, mid-forward Mesa/Boogie Dual Rectifier sound for 'Welcome Home,' with tight bass, slightly boosted treble and presence for clarity, and minimal reverb to keep the solo punchy and articulate in the mix.

Sources