Everything Evil — Coheed and Cambria1 / 2
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Everything Evil Riff Guitar Tone Settings — Coheed and Cambria

Coheed and Cambria · 2000s · rock

studio

Original Recording

Guitar
Gibson Explorer E2
Pickups
Bare Knuckle Nailbomb (bridge), stock neck pickup
Amp
Mesa/Boogie Triple Rectifier
Pickup Position
Bridge pickup

Studio recording, 2002

Amp Settings

Mids
5
Bass
6
Gain
8
Reverb
1
Treble
6.5
Presence
5.5

Effects Chain

  • Overdrive pedal (model unknown) · overdrive
  • Delay pedal (model unknown) · delay

Guitar → Overdrive pedal → Delay pedal → Mesa/Boogie Triple Rectifier

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Tone Character

  • thick saturation and sustain
  • tight low end without flub
  • scooped but not hollow mids
  • aggressive palm-muted chugs
  • percussive attack

Notes & Caveats

  • ⚠️Specific pedal models and settings are not explicitly documented; estimations are based on typical gear used during the era.
  • ⚠️Exact amp settings are inferred from general tone characteristics and may not reflect precise studio configurations.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Coheed and Cambria's 'Everything Evil' features a high-gain, modern rock tone typical of early 2000s post-hardcore. The settings reflect a balance of clarity and aggression, with moderate bass and mids to maintain punch and definition, while reverb is kept low for a tight sound.

Sources