GuitarDistortedRiff80% confidence
Through Blood and Dirt and Bone Guitar Tone Settings — Trivium
Trivium · 2010s+ · metal
studio
Original Recording
Guitar
Epiphone Matt Heafy Les Paul Custom Origins 7-string
Pickups
Fishman Fluence Modern Humbuckers
Amp
Peavey 5150 (original block letter) into Mesa 4x12 cabinet
Pickup Position
Bridge pickup
Studio recording for 'Vengeance Falls' (2013); confirmed by MusicRadar interview and typical for this era. Live rigs may use Kemper profiling, but original studio tone is 5150 into Mesa 4x12. Guitar is Heafy's 7-string Les Paul with Fishman Fluence Modern pickups.
Amp Settings
Mids5
Bass6
Gain8
Reverb0
Treble6.5
Presence6.5
Effects Chain
- KHDK Electronics Ascendancy Overdrive · overdrive
- ISP Decimator · noise_gate
- MXR M109S Six Band EQ · eq
Guitar → MXR M109S Six Band EQ → KHDK Ascendancy Overdrive → ISP Decimator → Peavey 5150 → Mesa 4x12
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Tone Character
- tight and percussive
- aggressive palm muting
- high-gain saturation
- articulate low end
- modern metal clarity
- focused attack
- scooped but present mids
- minimal ambience
- controlled feedback
- crisp pick attack
Notes & Caveats
- No direct numeric amp settings for 'Through Blood and Dirt and Bone' found; settings estimated based on Peavey 5150/Mesa 4x12 typical studio use for Trivium's 'Vengeance Falls' era.
- Pedal and effect usage for the riff section is inferred from genre, era, and audio; no time-based or modulation effects are audible in the main riff.
- Pedalboard details from Premier Guitar are for live rigs and may not reflect exact studio chain; only studio-confirmed gear included.
- Fishman Fluence pickups are confirmed for Heafy's signature models, but original 2013 recording may have used EMGs or early Fishman prototypes—confidence is high but not absolute.
- Settings cross-referenced with genre and era conventions for accuracy. Trivium's 'Through Blood and Dirt and Bone' features a tight, modern metal tone with high gain, slightly scooped but present mids, controlled bass for tightness, and clear but not harsh treble/presence. The production is dry with little to no reverb, matching their typical amp settings (Peavey 6505/EVH 5150) and genre conventions.