Shadow Moses — Bring Me The Horizon1 / 2
Original RigYour Adaptation
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Shadow Moses Riff Guitar Tone Settings — Bring Me The Horizon

Bring Me The Horizon · 2010s+ · metal

studio

Original Recording

Guitar
Epiphone Lee Malia Signature Les Paul Custom
Pickups
Bare Knuckle Warpig (bridge humbucker), P-94 (neck P-90 style)
Amp
Marshall JCM800 2203 head into 4x12 cabinet with Celestion Vintage 30s
Pickup Position
Bridge pickup

Studio recording, 2012-2013 Sempiternal sessions. Lee Malia used his signature Epiphone Les Paul with Bare Knuckle Warpig bridge pickup into a Marshall JCM800, boosted with a Klon Centaur overdrive. No evidence of additional effects or modulation in the riff section. Settings estimated based on typical JCM800 metal usage and interview statements about running the amp 'super loud' with the Klon set to level boost only.

Amp Settings

Mids
4.5
Bass
6
Gain
8.5
Reverb
0
Treble
7
Presence
6.5

Effects Chain

  • Klon Centaur · boost

Epiphone Lee Malia Signature Les Paul (bridge Warpig) → Klon Centaur (boost, level only) → Marshall JCM800 2203 head → 4x12 cab with Celestion V30s

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Tone Character

  • tight and percussive
  • scooped midrange
  • aggressive palm muting
  • high-gain saturation
  • articulate attack
  • modern metal clarity
  • low-end punch
  • compressed dynamics
  • minimal ambience
  • focused, cutting sound

Sources