Voy a Acabar Borracho (En Directo) — Platero y Tú1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Voy a Acabar Borracho (En Directo) Guitar Tone Settings

Platero y Tú · 1990s · rock

live

Original Recording

Guitar
Gibson Les Paul Standard (early 90s, likely tobacco burst, as used by Iñaki 'Uoho' Antón in Platero y Tú live performances)
Pickups
Humbucker (Gibson stock or Seymour Duncan, exact model unknown)
Amp
Marshall JCM800 2203 (100W head, as used by Iñaki 'Uoho' Antón in live era)
Pickup Position
Bridge pickup

Live recording (En Directo), 1996; gear inferred from era-accurate live photos and typical rig for Platero y Tú. No evidence of pedal use for main riff; distortion from amp. No evidence of studio trickery or additional effects in riff section.

Amp Settings

Mids
7
Bass
6
Gain
6.5
Reverb
2
Treble
6.5
Presence
6

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Tone Character

  • classic British crunch
  • tight and punchy riffing
  • mid-forward rock tone
  • aggressive but not high-gain
  • dynamic pick attack
  • articulate chord definition
  • slight amp reverb for space
  • no audible modulation or delay
  • bridge humbucker bite
  • Marshall amp saturation

Notes & Caveats

  • ⚠️No direct source confirms exact pedal or amp settings for this song/section; settings estimated based on typical Marshall JCM800 usage for 90s Spanish rock.
  • ⚠️No evidence of pedal use in main riff; distortion is amp-based.
  • ⚠️Guitar and amp model inferred from live photos and era, not explicitly stated for this recording.
  • ⚠️No modulation, delay, or time-based effects audible in riff section; only light amp reverb.
  • ⚠️Pickup model is estimated as stock Gibson humbuckers or possible Seymour Duncan, as per era and artist's known gear.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Fito Cabrales and Iñaki 'Uoho' Antón favored a crunchy, mid-forward Marshall-style tone in the early 90s Spanish rock scene, with enough gain for punch but not full saturation. The live recording is dry with just a touch of room ambience, and the EQ is balanced but slightly mid-emphasized for clarity and cut in a live mix.

Sources