REWARD FOR BETRAYAL — GALNERYUS1 / 2
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REWARD FOR BETRAYAL Riff Guitar Tone Settings — GALNERYUS

GALNERYUS · 2010s+ · metal

studio

Original Recording

Guitar
ESP E-II Arrow 7-string
Pickups
EMG 707 (active humbucker, bridge position)
Amp
Hughes & Kettner Coreblade 100W Head
Pickup Position
Bridge pickup

Studio recording for 'Ultimate Sacrifice' (2017). Syu is confirmed to use the ESP E-II Arrow 7-string with EMG pickups and the Hughes & Kettner Coreblade for this album's rhythm tones. No evidence of live rig or alternate guitars for this specific song's riff section.

Amp Settings

Mids
5.5
Bass
6
Gain
8
Reverb
1.5
Treble
7
Presence
6.5

Effects Chain

  • Boss SD-1W Super OverDrive · overdrive
  • Noise gate (model unknown) · noise_gate

ESP E-II Arrow 7-string (EMG 707 bridge) → Boss SD-1W Super OverDrive → Noise gate → Hughes & Kettner Coreblade 100W Head (digital reverb low)

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Tone Character

  • tight and percussive
  • aggressive palm muting
  • modern high-gain saturation
  • clear low-end
  • slightly scooped mids
  • bright and articulate
  • compressed and controlled
  • articulate note separation
  • cutting treble
  • focused rhythm attack

Notes & Caveats

  • ⚠️No explicit amp knob settings for 'Reward for Betrayal' found; settings estimated based on typical Hughes & Kettner Coreblade usage in modern metal and Syu's genre/era.
  • ⚠️Pedalboard details for this specific song's riff section are not available; only effects that are clearly audible or strongly evidenced are included.
  • ⚠️Guitar and pickup model confirmed for album era, but not for every track; high likelihood for main riff based on 7-string usage in similar Galneryus songs.
  • ⚠️No evidence of time-based or modulation effects in the riff section; only high-gain rhythm tone is present.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Syu's tone on 'REWARD FOR BETRAYAL' is a modern, articulate high-gain sound typical of Japanese power metal, with tight lows, present but not scooped mids, and a bright, cutting top end. His use of ENGL/Peavey amps and EMG pickups favors clarity and aggression, with minimal reverb for a dry, punchy rhythm sound.

Sources