GuitarCleanRiff60% confidence
Praise (feat. Brandon Lake, Chris Brown & Chandler Moore) Guitar Tone Settings
Elevation Worship · 2010s+ · other
studio
Original Recording
Guitar
Fender Telecaster (parts-caster, David Allen Special pickups, as used by E. Edwards of Elevation Worship)
Pickups
David Allen Special single-coil pickups
Amp
Fender Twin Reverb (studio and live standard for Elevation Worship, confirmed for similar tracks and era)
Pickup Position
Bridge pickup
Studio recording, 2023 era. Gear based on E. Edwards' confirmed pedalboard and amp usage for Elevation Worship in 2023. No explicit confirmation for this exact song, but all evidence points to this setup for the riff section.
Amp Settings
Mids6
Bass5.5
Gain3.5
Reverb4.5
Treble6
Presence5.5
Effects Chain
- Delay pedal (model unknown, likely Strymon Timeline or Boss DD-500 based on E. Edwards' board) · delay
- Reverb pedal (model unknown, likely Strymon Big Sky or Boss RV-5 based on E. Edwards' board) · reverb
- Chorus pedal (model unknown, subtle, possibly Strymon Mobius or Boss CE-2) · chorus
- Overdrive pedal (model unknown, likely low-gain such as JHS Morning Glory or Timmy) · overdrive
Fender Telecaster → Overdrive pedal (light gain) → Delay pedal → Reverb pedal → Chorus pedal (subtle, sometimes) → Fender Twin Reverb (spring reverb on)
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Tone Character
- ambient and spacious
- bright and articulate
- clean with subtle edge
- clear note separation
- smooth top end
- lush delay trails
- reverb-heavy
- slight modulation for width
- dynamic and responsive
- no harsh highs
Notes & Caveats
- No explicit source confirms the exact pedal or amp settings for 'Praise (feat. Brandon Lake, Chris Brown & Chandler Moore)' riff section; settings are inferred from E. Edwards' 2023 Elevation Worship rig and typical worship tone practices.
- Pedal models are inferred from E. Edwards' pedalboard and standard worship effects; exact pedal settings for this song are not published.
- Delay and reverb are clearly audible in the recording; chorus is sometimes used subtly for width, but not always present.
- No evidence of high-gain or heavy distortion; tone is clean and ambient.
- Presence setting is estimated based on typical Fender Twin Reverb usage in this genre.
- Settings cross-referenced with genre and era conventions for accuracy. The riff section features a clear, edge-of-breakup tone with moderate warmth and forward mids typical of modern worship guitar, likely using a cleanish amp (e.g., Matchless, AC30) with light drive from a pedal. The EQ is balanced but slightly mid-forward to cut through the mix, with subtle reverb for ambience, matching Elevation Worship's production style.