Paranoid — Black Sabbath1 / 2
Original RigYour Adaptation
BassDistortedDistorted

Paranoid Bass Tone Settings — Black Sabbath

Black Sabbath · 1970s · metal

studio

Original Recording

A reconstruction of the bass tone. Gear attributions and estimated settings are explained in the research notes below.

Bass
Fender Precision Bass (late 1960s, likely 1968-69, passive electronics)
Pickups
Split single-coil (Precision Bass standard)
Amp
Marshall Super Bass 100 (model 1992, 100W tube head) into 4x12 guitar cabs (studio), possibly Laney Supergroup for some live shows
Pickup Position
100% neck split-coil (Precision Bass only has one pickup)

Studio recording, 1970, Paranoid album. Geezer Butler used a Fender Precision Bass through a Marshall Super Bass 100 head into guitar cabs. No evidence of DI or pedals for this track; all distortion from amp overdrive.

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
7
Bass
5
Gain
6
Treble
6.5
Presence
6
compression
3

Effects Chain

Fender Precision Bass → Marshall Super Bass 100 (cranked for overdrive) → 4x12 guitar cabs (mic'd in studio)

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Tone Character

  • growly midrange
  • aggressive upper-mid bite
  • raspy overdriven edge
  • tight low end
  • slightly compressed attack
  • clear note separation
  • classic tube amp grind
  • audible string clank
  • punchy and forward

Playing Technique

  • 🎸fingerstyle

Sources

Tone Story / Why This Tone Works

studio

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