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Move Along — The All-American Rejects1 / 2
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Move Along Riff Guitar Tone Settings — The All-American Rejects

The All-American Rejects · 2000s · rock

studio

Original Recording

Guitar
Gibson Firebird V
Pickups
Mini-humbuckers (Gibson Firebird stock)
Amp
Vox AC30
Pickup Position
Bridge pickup

Studio recording, 2005. Nick Wheeler is confirmed to use a Gibson Firebird V and Vox AC30 for 'Move Along' era; no evidence of alternate guitars or amps for the main riff section. No explicit studio pedalboard photos or amp knob settings found for this specific recording.

Amp Settings

Mids
6.5
Bass
6
Gain
7
Reverb
2.5
Treble
7
Presence
6

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Tone Character

  • tight and punchy
  • crunchy attack
  • bright and articulate
  • present upper mids
  • slightly compressed
  • clear note separation
  • modern pop-punk edge
  • moderate sustain
  • rhythmic palm muting
  • cutting presence

Notes & Caveats

  • ⚠️No direct amp knob settings for 'Move Along' studio recording found; settings estimated based on typical Vox AC30 usage in modern rock and pop-punk context.
  • ⚠️Pedal usage for the riff section is not explicitly documented for the studio recording; Menatone Red Snapper and ZVEX Super Hard On are mentioned as favorites but not confirmed for this specific track.
  • ⚠️No evidence of modulation, delay, or time-based effects in the riff section; tone is dry and direct.
  • ⚠️Pickup position inferred from typical rhythm tone and genre, not from explicit source.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff in 'Move Along' features a modern pop-punk/hard rock crunch with tight, punchy mids and a slightly scooped but still present EQ. The All-American Rejects typically used Mesa/Boogie Dual Rectifiers or Marshall JCMs in this era, dialing in enough gain for clarity and aggression without going into extreme metal territory. The tone is tight and articulate, with moderate reverb for space but not wash.

Sources