Motion Picture Soundtrack — Radiohead1 / 2
Original RigYour Adaptation
GuitarCleanRiff80% confidence

Motion Picture Soundtrack Riff Guitar Tone Settings — Radiohead

Radiohead · 2000s · other

studio

Original Recording

Guitar
Fender Telecaster Deluxe (likely black, as seen in 1997-2000 era studio/live photos)
Pickups
Fender Wide Range Humbuckers
Amp
Fender '65 Twin Reverb
Pickup Position
Neck pickup

Studio recording, year 2000 (Kid A sessions). No evidence of alternate guitars or amps for this song's riff section. No evidence of pedal use for the main riff; synths and effects dominate the arrangement, but the guitar part is clean and minimal.

Amp Settings

Mids
6.5
Bass
5.5
Gain
0
Reverb
6.5
Treble
6.5
Presence
5

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • clean and transparent
  • lush studio reverb
  • subtle and atmospheric
  • minimalist guitar presence
  • soft attack, likely fingerstyle
  • ethereal, blends with synths
  • no audible overdrive or fuzz
  • no palm muting
  • ambient, dreamy texture
  • guitar sits behind harp and synth layers

Notes & Caveats

  • ⚠️Gain adjusted to 0 for clean tone
  • ⚠️No direct source confirms the exact guitar/amp/pedal setup for the studio recording of 'Motion Picture Soundtrack' riff section; all gear is inferred from era-correct studio photos and typical Radiohead Kid A session setups.
  • ⚠️No evidence of pedal use or specific effects on the guitar for this section; most effects are synth/harp/production-based.
  • ⚠️Amp settings are estimated based on typical Fender Twin Reverb clean settings for Radiohead in this era.
  • ⚠️If alternate gear or effects are confirmed in future sources, update accordingly.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Jonny Greenwood's part in 'Motion Picture Soundtrack' uses a very clean, almost ethereal tone with a prominent reverb tail, likely from a Fender amp or similar with spring reverb. The tone is mid-forward and warm, not overly bright, with gain set low for pristine cleans and reverb set high for the haunting, cinematic ambience.

Sources