Lensin Matalalla 2 (Remastered) — Eppu Normaali1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Lensin Matalalla 2 (Remastered) Guitar Tone Settings

Eppu Normaali · 1980s · rock

studio

Original Recording

Guitar
Unknown (likely Fender Stratocaster or Gibson Les Paul, model not confirmed for this recording)
Pickups
Unknown (likely single-coil or PAF-style humbucker, not confirmed for this recording)
Amp
Unknown (likely Marshall or Fender tube amp, not confirmed for this recording)
Pickup Position
Bridge pickup (estimated, typical for rock solos of this era)

No direct sources confirm the exact guitar, pickups, or amp used on the studio recording of 'Lensin Matalalla 2 (Remastered)' solo. No evidence for pedals or amp model in available sources. All gear is estimated based on genre, era, and typical Finnish rock setups of late 1970s/early 1980s. Studio recording, remastered version.

Amp Settings

Mids
7
Bass
6
Gain
5.5
Reverb
3.5
Treble
6.5
Presence
5.5

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Tone Character

  • singing sustain
  • warm upper mids
  • slightly overdriven
  • articulate note separation
  • moderate amp breakup
  • touch-sensitive
  • clear attack
  • vintage rock solo
  • not high-gain
  • dynamic response

Notes & Caveats

  • ⚠️No direct sources confirm the exact guitar, amp, or pedal models used on the studio recording of 'Lensin Matalalla 2 (Remastered)' solo.
  • ⚠️No numeric amp or pedal settings found in sources; all settings estimated based on typical classic rock tones from late 1970s/early 1980s Finland.
  • ⚠️No evidence of specific pedals or effects used; no pedalboard or studio notes available.
  • ⚠️No evidence of effects loop usage or exact signal chain.
  • ⚠️If a remastered version used different gear, this is not reflected in available sources.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Eppu Normaali's solo tones from this era are classic rock with a crunchy, mid-forward sound, likely using a Marshall-style amp with moderate gain and balanced EQ. The solo is neither overly saturated nor scooped, with a touch of reverb for space but not excessive ambience.

Sources