John the Fisherman Bass Tone Settings — Primus
Primus · 1990s · prog
studio
Original Recording
A reconstruction of the bass tone. Gear attributions and estimated settings are explained in the research notes below.
Studio recording, 1989-1990 (Frizzle Fry sessions); Les Claypool is known to have used his Carl Thompson 4-string and Mesa/Boogie amps for this era. Ampeg SVT cabs are also documented for this period.
Amp Settings
Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.
Effects Chain
Carl Thompson 4-string (passive) → Mesa/Boogie Bass 400+ (amp gain driven for overdrive, moderate compression) → Mesa/Boogie 2x15 or Ampeg SVT-810E cab (mic'd, possibly DI blend)
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Tone Character
- clanky attack
- midrange growl
- aggressive upper mids
- audible tube overdrive
- slight fuzziness
- tight low end
- percussive slap transients
- raspy, metallic edge
- clear note definition despite drive
Playing Technique
- mixed
Sources
Tone Story / Why This Tone Works
studio