GuitarDistortedRiff80% confidence
Goose (Live at the Factory in Deep Ellum) Guitar Tone Settings
Polyphia · 2010s+ · other
live
Original Recording
Guitar
Ibanez AZ2402
Pickups
Seymour Duncan Hyperion HSS (humbucker, single, single)
Amp
Fractal Axe-Fx II (amp modeling, live through Orange cab)
Pickup Position
Position 4 (middle + bridge single coils)
Live performance at The Factory in Deep Ellum, 2022. Tim Henson and Scott LePage both use Fractal Axe-Fx II for amp/effects modeling, running direct or into Orange cabs. Guitar is Ibanez AZ2402 (Scott LePage's main live guitar for this era).
Amp Settings
Mids5.5
Bass5.5
Gain6
Reverb2
Treble7
Presence6.5
Effects Chain
- MXR M234 Analog Chorus · chorus
- Compressor pedal (model unknown) · compression
- MXR M135 Smart Gate · noise_gate
Ibanez AZ2402 → Compressor → MXR M234 Analog Chorus → MXR M135 Smart Gate → Fractal Axe-Fx II (amp modeling, digital reverb) → Orange cab
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Tone Character
- bright and articulate
- tight and percussive
- crisp note separation
- slightly compressed
- chorus shimmer
- controlled low end
- modern fusion clarity
- dynamic response
- clean sustain with edge
- present upper mids
Notes & Caveats
- No explicit numeric amp settings found for this specific live performance; settings estimated based on genre, era, and typical Fractal/Polyphia live tones.
- Pedal/effect models inferred from live rig photos, forum discussions, and audible effects in recording.
- Exact pickup selector position not confirmed in sources, but Polyphia's riff tones are widely described as using split or parallel single coils (Position 4) for clarity.
- Amp model is Fractal Axe-Fx II, which can model various amps; typical settings for Polyphia's live tones used.
- Chorus and compression are both clearly audible and confirmed by multiple sources as essential to Polyphia's tone.
- Settings cross-referenced with genre and era conventions for accuracy. Polyphia's 'Goose (Live at the Factory in Deep Ellum)' features a modern, articulate high-gain tone with tight low end, forward but not honky mids, and bright, cutting treble for note clarity. Tim Henson typically uses high-gain amps (like Mesa/Boogie or Neural DSP plugins) with moderate bass, neutral mids, high treble/presence, and minimal reverb for a dry, precise live sound.