G.O.A.T. — Polyphia1 / 2
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G.O.A.T. Riff Guitar Tone Settings — Polyphia

Polyphia · 2010s+ · other

studio

Original Recording

Guitar
Ibanez AZ2402
Pickups
Seymour Duncan Hyperion humbuckers
Amp
Fractal Audio Axe-FX (studio), Orange Dark Terror (live)
Pickup Position
Bridge pickup

Studio recording for 'G.O.A.T.' (2018); Tim Henson used an Ibanez AZ2402 with Hyperion pickups and Axe-FX for amp modeling. Orange Dark Terror and Orange PPC412 cab used live, but not confirmed for studio. Settings and effects pertain to the studio recording.

Amp Settings

Mids
5.5
Bass
6
Gain
0
Reverb
1.5
Treble
7.5
Presence
6

Effects Chain

  • Compressor pedal (model unknown) · compression
  • Chorus pedal (model unknown) · chorus

Ibanez AZ2402 → Compressor → Chorus → Axe-FX (amp modeling, digital reverb)

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Tone Character

  • bright and articulate
  • tight and percussive
  • slightly compressed
  • minimal reverb
  • clear note separation
  • modern and hi-fi
  • dynamic response
  • crisp attack
  • complex and intricate
  • clean with subtle warmth

Notes & Caveats

  • ⚠️Gain adjusted to 0 for clean tone
  • ⚠️Amp model for studio recording is Axe-FX; Orange Dark Terror is used live but not confirmed for studio.
  • ⚠️Pedal/effect models are not specified in sources; effects inferred from audio and genre.
  • ⚠️Presence setting is estimated as it is not specified in sources.
  • ⚠️Pickup selector is inferred based on typical Polyphia tone and timbre in the riff section.
  • ⚠️No explicit pedalboard photo or official studio signal chain for this song; effects based on audio and typical Polyphia setups.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Polyphia's 'G.O.A.T.' riff uses a modern, tight, high-gain tone with a percussive attack and clear note separation. Tim Henson typically favors a slightly scooped midrange, tight bass, and bright, articulate highs, with minimal reverb for clarity and punch in a modern progressive metal context.

Sources