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Bleeds No More Riff Guitar Tone Settings — Silverstein
Silverstein · 2000s · metal
studio
Original Recording
Guitar
Gibson Les Paul Standard
Pickups
Seymour Duncan JB (bridge) and '59 (neck) humbuckers
Amp
Mesa/Boogie Dual Rectifier
Pickup Position
Bridge pickup
Studio recording from 2003 album 'When Broken Is Easily Fixed'
Amp Settings
Mids4.5
Bass6
Gain8
Reverb1.5
Treble7
Presence6.5
Effects Chain
- Ibanez TS9 Tube Screamer · overdrive
- Boss NS-2 Noise Suppressor · noise_gate
- Boss DD-3 Digital Delay · delay
Guitar → Ibanez TS9 Tube Screamer → Boss NS-2 Noise Suppressor → Mesa/Boogie Dual Rectifier (with spring reverb) → Boss DD-3 Digital Delay (in effects loop)
Tone Matcher
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Tone Character
- tight and percussive
- aggressive and saturated
- scooped midrange
- high-gain distortion
- articulate palm-muted riffs
- sharp attack
- sustained leads
- crisp high-end
- defined low-end
- minimal reverb
Notes & Caveats
- Exact amp settings are estimated based on typical usage of Mesa/Boogie Dual Rectifier in similar genres.
- Specific pedal models and settings are inferred from common practices in the genre and era.
- Settings cross-referenced with genre and era conventions for accuracy. Silverstein's 'Bleeds No More' features a modern metalcore tone with high gain for aggressive riffs, slightly scooped mids for a tight and punchy sound, and moderate treble and presence to maintain clarity. The bass is balanced to avoid muddiness, and minimal reverb is used to keep the tone tight and focused.