Ain't Talkin' 'Bout Love (Live) — Velvet Revolver1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Ain't Talkin' 'Bout Love (Live) Guitar Tone Settings

Velvet Revolver · 2000s · rock

live

Original Recording

Guitar
Gibson Les Paul Standard
Pickups
Humbucker (likely Seymour Duncan Alnico II Pro or stock Gibson Burstbuckers, as per Slash's typical Velvet Revolver era setup)
Amp
Marshall amplifier (likely JCM800 or Silver Jubilee, as per Slash's Velvet Revolver live rig)
Pickup Position
Bridge pickup

Live performance by Velvet Revolver, mid-2000s. No direct evidence of pedals or alternate guitars for this specific cover; Les Paul Standard and Marshall stack are confirmed as Slash's main live rig for Velvet Revolver. Studio vs live: this is a live cover performance.

Amp Settings

Mids
7
Bass
6
Gain
7
Reverb
2
Treble
6.5
Presence
6

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Tone Character

  • tight and percussive
  • British crunch
  • aggressive pick attack
  • warm but cutting
  • present midrange
  • dynamic and responsive
  • slight amp breakup
  • clear note separation
  • punchy rhythm
  • minimal ambience

Notes & Caveats

  • ⚠️No direct source confirms exact pedal or amp settings for this specific Velvet Revolver live cover; settings estimated based on Slash's typical Velvet Revolver-era live rig and genre conventions.
  • ⚠️No evidence of additional effects or pedals used for this riff section; Velvet Revolver live tone is typically Les Paul → Marshall with minimal effects.
  • ⚠️Pickup type and amp model inferred from Slash's documented Velvet Revolver live gear; no explicit confirmation for this specific performance.
  • ⚠️Pedal/effects list is empty due to lack of evidence and no audible effects beyond amp distortion.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Velvet Revolver's live cover of 'Ain't Talkin' 'Bout Love' features Slash's signature crunchy, mid-forward Les Paul/Marshall tone with enough gain for sustain but not 80s metal saturation. The EQ is balanced for classic hard rock, with slightly boosted mids and moderate bass/treble, and only subtle reverb typical for live rock mixes.

Sources