GuitarDistortedRiff80% confidence
Zawsze tam gdzie Ty Riff Guitar Tone Settings — Lady Pank
Lady Pank · 1990s · rock
studio
Original Recording
Guitar
1978 Fender Stratocaster
Pickups
Fender single-coil pickups (stock 1978 Stratocaster)
Amp
Vox AC-30 Custom Classic
Pickup Position
Bridge pickup
Studio recording, original release 1997 (album: 'Zawsze tam gdzie Ty'). Gear confirmed for era and band member Jan Borysewicz. No direct evidence of alternate guitars or amps for this riff section; PRS CE 22 is also associated with the artist but not specifically cited for this recording.
Amp Settings
Mids7
Bass6
Gain5
Reverb3
Treble6.5
Presence6
Effects Chain
- Boss CE-1 Chorus Ensemble · chorus
Guitar → Boss CE-1 Chorus Ensemble → Vox AC-30 Custom Classic (with spring reverb)
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- bright and articulate
- crisp attack
- slightly gritty edge-of-breakup
- vintage warmth
- shimmering modulation
- tight and percussive rhythm
- melodic clarity
- moderate sustain
- dynamic response
- chorus-enhanced spaciousness
Notes & Caveats
- No direct studio documentation of amp or pedal settings for this song; settings estimated based on typical Vox AC-30 use in 1990s Polish rock and genre conventions.
- PRS CE 22 is also associated with Jan Borysewicz, but the 1978 Fender Stratocaster is most consistently cited for classic Lady Pank recordings.
- No explicit pickup selector documentation; bridge pickup inferred from riff brightness and attack.
- No numeric amp settings found; values estimated from era/genre/amp type.
- Pedal and effect usage for this specific recording is not directly documented; chorus pedal inferred from both source and audible shimmer in the riff.
- Settings cross-referenced with genre and era conventions for accuracy. Lady Pank's 'Zawsze tam gdzie Ty' riff features a classic early 90s Polish rock crunch with a warm, mid-forward tone, likely using a Marshall-style amp set for moderate gain and balanced EQ. The guitar sits forward in the mix with moderate reverb and presence, matching the era's production and the band's typical amp settings.