GuitarCleanSolo80% confidence
You Love Me (Live) [feat. Dr Tumi & Unathi Mzekeli] Guitar Tone Settings
Benjamin Dube · 2010s+ · other
live
Original Recording
Guitar
Unknown (likely Fender Stratocaster or similar S-style guitar, typical for gospel live settings in this era)
Pickups
Single-coil (typical for clean gospel tones, exact model unknown)
Amp
Tech 21 Fly Rig 5 SansAmp (used as amp simulator/multi-effect pedal, likely direct to PA/live board)
Pickup Position
Neck pickup (typical for warm, smooth gospel solos; exact position not confirmed)
Live performance, 2010s+; no direct evidence of exact guitar/amp, but Fly Rig 5 SansAmp is confirmed as a common live solution for gospel guitarists and is referenced as a compact all-in-one amp/effects unit. No evidence of traditional amp on stage.
Amp Settings
Mids6.5
Bass6.5
Gain0
Reverb5
Treble6.5
Presence6
Effects Chain
- Tech 21 Fly Rig 5 SansAmp · other
- Delay (from Fly Rig 5) · delay
- Reverb (from Fly Rig 5) · reverb
Guitar → Tech 21 Fly Rig 5 SansAmp (with onboard delay and reverb) → PA/board
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Tone Character
- crystal-clear clean
- warm and smooth
- bright and articulate
- lush ambient reverb
- slight delay trails
- dynamic and expressive
- singing melodic lines
- touch-sensitive response
- present but not harsh highs
- full-bodied clean
Notes & Caveats
- Gain adjusted to 0 for clean tone
- No direct source confirms the exact guitar or pickup position for this specific live recording; inference based on genre, era, and typical gospel setups.
- No numeric amp settings found; settings estimated based on Fly Rig 5 SansAmp typical usage for clean gospel tones.
- No pedalboard photo or official rig rundown for this specific performance; effects inferred from Fly Rig 5 feature set and audible effects in live gospel performances.
- No evidence of traditional amp; Fly Rig 5 SansAmp likely used as amp/cab sim direct to PA.
- Pickup choice and guitar model are estimated; could be a Strat-style or similar guitar common in gospel.
- Settings cross-referenced with genre and era conventions for accuracy. The solo section features a warm, clean-to-slightly-breakup gospel tone typical of Benjamin Dube's band: round lows, forward mids for vocal-like phrasing, and enough treble/presence for clarity without harshness. Moderate reverb adds space, matching live gospel production and the artist's usual amp voicing.