Running to the Other Side Guitar Tone Settings — Lari Basilio
Lari Basilio · 2010s+ · rock
studio
Original Recording
Studio recording, 2022. Lari Basilio has stated in interviews that for heavier/solo tones she prefers the Laney Ironheart, and uses her LB1 signature guitar with Seymour Duncan pickups. The JHS Violet Lari Basilio Signature Distortion is confirmed as her main gain pedal for solos. Delay and reverb are also part of her solo sound. Settings are estimated based on typical Laney Ironheart usage for modern melodic rock/fusion, as no explicit knob settings were found for this song.
Amp Settings
Effects Chain
- JHS The Violet Lari Basilio Signature Distortion · distortion
- GNI Music Delay · delay
- Laney Black Country Customs Secret Path Reverb · reverb
- Seymour Duncan Vise Grip Compressor · compression
Ibanez LB1 → Seymour Duncan Vise Grip Compressor → JHS The Violet Distortion → GNI Music Delay → Laney Secret Path Reverb → Laney Ironheart IRT-SLS
Tone Matcher
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Tone Character
- singing sustain
- modern high-gain lead
- smooth legato phrasing
- articulate note separation
- tight low end
- present mids for melodic clarity
- crystal-clear delay repeats
- lush reverb tail
- dynamic pick attack
- fluid bends and vibrato
Notes & Caveats
- No explicit amp knob settings found for this specific song/solo; settings estimated based on typical Laney Ironheart usage for modern melodic rock/fusion.
- Pedal order and delay/reverb settings inferred from artist interviews, gear lists, and audio analysis; no direct studio session documentation available.
- Pickup position inferred from typical solo tone and artist's use of bridge pickup for lead sections.
- Delay and reverb are clearly audible in the solo, but exact pedal settings are not published.
- Settings cross-referenced with genre and era conventions for accuracy. Lari Basilio's solo tone on 'Running to the Other Side' is articulate, smooth, and mid-forward with moderate gain—typical of her fusion style and Suhr/Two-Rock amp preferences. The settings reflect a balanced, dynamic lead sound with enough presence and reverb for clarity and space without being overly wet or harsh.