Untitled — blink-1821 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Untitled Riff Guitar Tone Settings — blink-182

blink-182 · 2000s · punk

studio

Original Recording

Guitar
Fender Tom DeLonge Stratocaster (single bridge humbucker, likely Gibson Dirty Fingers)
Pickups
Gibson Dirty Fingers (bridge humbucker)
Amp
Marshall JCM900 4100
Pickup Position
Bridge pickup

Studio recording, 2003. Tom DeLonge used his signature Stratocaster with a single bridge humbucker into a Marshall JCM900 for the main riff sections of the 'Untitled' album. No evidence of additional pedals for the riff tone; distortion comes from the amp. No evidence of live rig or alternate amp for this part.

Amp Settings

Mids
5
Bass
6
Gain
7
Reverb
1.5
Treble
7
Presence
6

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • crunchy and saturated
  • tight palm-muted chugs
  • aggressive and percussive attack
  • articulate power chords
  • modern pop-punk clarity
  • focused midrange punch
  • slightly scooped mids
  • bright, cutting top end
  • full-bodied low end
  • high-output humbucker saturation

Notes & Caveats

  • ⚠️No direct studio amp knob settings for 'Untitled' riff found; settings estimated based on genre, era, and typical Marshall JCM900 use for pop-punk.
  • ⚠️No evidence of pedals or additional effects used for the riff section; distortion is from amp.
  • ⚠️Settings inferred from user reports, genre conventions, and Tom DeLonge's known gear for this album.
  • ⚠️If new evidence of pedals or alternate amp emerges, revise accordingly.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Tom DeLonge's tone on 'Untitled' is classic pop-punk: high gain but not modern metal, tight low end, balanced mids (not scooped), and bright but not harsh treble. He typically used a Mesa/Boogie Triple Rectifier with moderate bass, flat-to-slightly-cut mids, boosted treble/presence, and minimal reverb for a dry, punchy mix.

Sources