Seoul City — JENNIE1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Seoul City Solo Guitar Tone Settings — JENNIE

JENNIE · 2010s+ · other

studio

Original Recording

Guitar
Unknown solidbody electric (exact model not confirmed for studio recording of 'Seoul City' solo)
Pickups
Unknown (no explicit source for pickup type/model on this recording)
Amp
Unknown (no explicit source for amp model on this recording)
Pickup Position
Likely Bridge pickup (for lead articulation, but not confirmed)

No official or forum sources confirm the exact guitar, pickups, or amp used for the studio solo on 'Seoul City' by JENNIE. No evidence for live vs. studio differences. Recording year: 2025.

Amp Settings

Mids
6
Bass
5.5
Gain
4
Reverb
4.5
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Guitar → Delay pedal (model unknown) → Amp (with digital reverb)

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Tone Character

  • smooth and melodic
  • present and articulate
  • moderate sustain
  • slightly compressed
  • clear lead voicing
  • spacious with ambient delay/reverb
  • not heavily saturated
  • no audible modulation effects
  • modern pop/rock solo tone
  • balanced EQ with slight treble emphasis

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, pickups, amp, or pedal models used on the studio recording of 'Seoul City' solo.
  • ⚠️No pedalboard or rig rundown for JENNIE's solo work or this song.
  • ⚠️Settings estimated based on modern K-pop production, genre, and typical studio practices.
  • ⚠️No evidence of live vs. studio differences for this solo.
  • ⚠️No evidence for use of modulation effects (chorus, flanger, phaser, etc.) in the solo.
  • ⚠️Delay and reverb are clearly audible in the solo, but source/model unknown.
  • ⚠️Pickup choice is inferred from typical solo tone, not confirmed.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section in 'Seoul City' by JENNIE features a clean, slightly edge-of-breakup tone with a modern pop/R&B polish. The guitar sits forward in the mix with balanced mids and a touch of sparkle, typical of contemporary K-pop production, and uses moderate reverb for ambience without washing out the clarity.

Sources