Seoul City — JENNIE1 / 2
Original RigYour Adaptation
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Seoul City Solo Guitar Tone Settings — JENNIE

JENNIE · 2010s+ · other

studio

Original Recording

Guitar
Unknown solid-body electric (exact model not confirmed for studio recording of 'Seoul City' solo section)
Pickups
Unknown (likely single coils or P90s, but not confirmed for this recording)
Amp
Unknown (no explicit amp model confirmed for studio recording of 'Seoul City' solo section)
Pickup Position
Neck pickup (estimated, for warm clean solo tone)

No official or forum sources confirm the exact guitar or amp used for the studio recording of the 'Seoul City' solo section. No pedalboard or rig rundown for this session is available. Live performance gear for JENNIE is documented, but not for this specific song's studio recording. All settings and gear below are estimated based on genre, era, and typical K-pop/modern pop production practices. Year: 2025.

Amp Settings

Mids
6
Bass
5.5
Gain
2
Reverb
5
Treble
6.5
Presence
5.5

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Tone Character

  • clean and glassy
  • smooth and present top end
  • subtle reverb tail
  • studio-polished
  • slightly compressed
  • warm and rounded
  • no audible drive or crunch
  • soft attack
  • articulate note separation
  • modern pop clean

Notes & Caveats

  • ⚠️No official or forum sources confirm the exact guitar, amp, or pedal models used for the studio recording of 'Seoul City' solo section.
  • ⚠️No pedalboard or rig rundown for this session is available; all gear and settings are estimated based on genre, era, and typical K-pop/modern pop production.
  • ⚠️No explicit effects or pedal models are documented for this recording; effects below are inferred from audio and genre conventions.
  • ⚠️If further information or isolated studio stems become available, this entry should be updated.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section in 'Seoul City' features a clean, slightly edge-of-breakup tone with a modern pop/R&B polish—likely achieved with moderate gain, balanced EQ (slightly mid-forward for presence in the mix), and tasteful reverb for ambience. These settings reflect typical K-pop production and session player conventions for this style.

Sources