Radio/Video — System Of A Down1 / 2
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Radio/Video Riff Guitar Tone Settings — System Of A Down

System Of A Down · 2000s · metal

studio

Original Recording

A reconstruction of the riff tone. Gear attributions and estimated settings are explained in the research notes below.

Guitar
Ibanez Iceman (likely IC300 or custom, as used by Daron Malakian on Mezmerize era studio recordings)
Pickups
Ibanez stock humbuckers (dual humbucker, passive, ceramic magnets typical for Iceman of this era)
Amp
Marshall JCM800 (studio recording, as used by Daron Malakian on Mezmerize era; Friedman BE-100 sometimes used live, but not confirmed for studio)
Pickup Position
Bridge pickup

Studio recording, 2004-2005 (Mezmerize sessions). Daron Malakian is known for using Ibanez Iceman guitars and Marshall JCM800 amps for clean and heavy tones in this era. No evidence of pedal use for clean tone in studio; all drive comes from amp. Settings estimated based on genre, era, and typical Marshall clean setup. No evidence of chorus, delay, or modulation on clean riff. Pickup selector set to bridge for clarity in main riff. No evidence of effects loop or pedalboard for clean section.

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
5.5
Bass
5.5
Gain
0
Reverb
1
Treble
7
Presence
6

Effects Chain

Ibanez Iceman → Marshall JCM800 (clean channel, spring reverb on low)

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Tone Character

  • bright and percussive
  • articulate attack
  • tight low end
  • slightly scooped mids
  • clear, present highs
  • minimal breakup
  • no audible distortion
  • no modulation or time-based effects
  • subtle room/amp reverb
  • focused, modern metal clean

Sources

Tone Story / Why This Tone Works

studio

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