Pull Me Under — Dream Theater1 / 2
Original RigYour Adaptation
GuitarCleanSolo

Pull Me Under Solo Guitar Tone Settings — Dream Theater

Dream Theater · 1990s · metal

studio

Original Recording

A reconstruction of the solo tone. Gear attributions and estimated settings are explained in the research notes below.

Guitar
Ernie Ball Music Man John Petrucci Signature (JP6, 1991-1992 model, likely basswood body, rosewood board)
Pickups
DiMarzio LiquiFire (neck), DiMarzio Crunch Lab (bridge) or early DiMarzio custom Petrucci set (exact model for 1992 may be DiMarzio Steve's Special/ Air Norton prototype)
Amp
Mesa/Boogie Mark IIC+ (studio recording, 1992)
Pickup Position
Neck pickup (or neck + middle position for added warmth and clarity)

Studio recording for 'Images and Words' (1992). Petrucci used his signature Ernie Ball Music Man JP6 with DiMarzio pickups and a Mesa/Boogie Mark IIC+ amp. Clean tone sections were tracked with the amp's clean channel, no drive pedals. Delay was added via rack or pedal. Pickup selector likely in neck or neck+middle position for clean solo. Settings and effects are based on period-correct interviews and tone analysis.

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
5.5
Bass
5.5
Gain
0
Reverb
2
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Guitar → Delay pedal (602ms, 3 repeats) → Mesa/Boogie Mark IIC+ (clean channel, spring reverb)

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Tone Character

  • crystal-clear and articulate
  • warm and rounded neck pickup sound
  • lush, ambient delay repeats
  • slight natural amp reverb
  • high note definition
  • dynamic and touch-sensitive
  • no audible distortion or crunch
  • studio-quality clarity
  • subtle shimmer (possible light modulation)
  • full-bodied clean with smooth highs

Sources

Tone Story / Why This Tone Works

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