TonesMatch
Leaf — Title Fight1 / 2
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Leaf Riff Guitar Tone Settings — Title Fight

Title Fight · 2010s+ · punk

studio

Original Recording

Guitar
Gibson Les Paul Custom
Pickups
Humbuckers (likely stock Gibson, exact model unspecified)
Amp
Marshall JCM800 2204
Pickup Position
Bridge pickup

Studio recording for 'Leaf' on the 2012 album 'Floral Green'. Jamie Rhoden is confirmed to use a Gibson Les Paul Custom into a Marshall JCM800 2204 for both live and studio work during this era. No evidence of alternate guitars or amps for this riff section. Pedalboard evidence is mostly from live and era-consistent sources.

Amp Settings

Mids
6.5
Bass
6
Gain
7
Reverb
2
Treble
7
Presence
6

Effects Chain

  • ZVex Fuzz Factory · fuzz
  • Boss CE-5 Chorus Ensemble · chorus
  • Boss DD-7 Digital Delay · delay
  • Electro-Harmonix Holy Grail Reverb · reverb

Gibson Les Paul Custom → ZVex Fuzz Factory → Boss CE-5 Chorus → Boss DD-7 Delay → EHX Holy Grail Reverb → Marshall JCM800 2204

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Tone Character

  • massive low end
  • tight and aggressive
  • modulated chorus texture
  • feedback-prone sustain
  • crunchy, saturated distortion
  • wall-of-sound rhythm
  • slightly fuzzy edge
  • articulate attack
  • ambient reverb tail
  • dynamic, energetic pick attack

Notes & Caveats

  • ⚠️No direct studio amp knob settings found; settings estimated based on Marshall JCM800 typical usage for modern punk/hardcore and tone descriptions from sources.
  • ⚠️Pedal models are inferred from era-consistent live pedalboards and multiple forum sources, but exact studio chain is not 100% confirmed.
  • ⚠️Pickup choice (bridge) is inferred from tone characteristics and genre, not explicitly stated in sources.
  • ⚠️Reverb setting is estimated low, as most ambience is likely from pedals or mixing, not amp.
  • ⚠️No evidence of effects loop usage in studio; signal chain order based on typical pedalboard layouts and live photos.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Title Fight's 'Leaf' riff section features a punchy, mid-forward, crunchy tone typical of their early 2010s post-hardcore/shoegaze sound, likely using a JCM800 or similar amp with moderate gain, balanced bass, strong mids, and slightly boosted treble/presence for clarity. The recording is quite dry, matching the genre's tight, upfront production.

Sources