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Konsensya — IV OF SPADES1 / 2
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GuitarDistortedSolo80% confidence

Konsensya Solo Guitar Tone Settings — IV OF SPADES

IV OF SPADES · 2010s+ · rock

studio

Original Recording

Guitar
Fender Classic Series '50s Stratocaster
Pickups
Fender single-coil (stock 50s Strat pickups)
Amp
Fender '65 Deluxe Reverb Reissue
Pickup Position
Bridge pickup

Studio recording, 2025 (Andalucia album). No direct evidence for live rig or alternate guitars/amps for this solo. Gear inferred from Equipboard and artist's era-correct usage; no explicit confirmation for this exact song/solo.

Amp Settings

Mids
6.5
Bass
5.5
Gain
5.5
Reverb
3.5
Treble
7
Presence
6

Effects Chain

  • Ibanez TS9 Tube Screamer · overdrive

Guitar → Ibanez TS9 Tube Screamer → Fender '65 Deluxe Reverb Reissue (spring reverb on)

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Tone Character

  • gritty and expressive
  • slightly compressed
  • warm midrange focus
  • clear articulation
  • touch of sustain
  • not overly saturated
  • dynamic response
  • subdued, not flashy
  • modern OPM/alt-rock flavor
  • mild breakup, not fuzzed

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, amp, or pedal settings for the 'Konsensya' solo; all gear and settings inferred from Equipboard, typical artist usage, and genre/era conventions.
  • ⚠️No explicit mention of pedals or effects for this solo in any source; pedal choice inferred from Equipboard and audible characteristics.
  • ⚠️Solo described as 'not flashy' and 'a mere bended note', suggesting minimal effects and moderate gain.
  • ⚠️Settings estimated based on typical Fender Deluxe Reverb + Stratocaster setup for modern OPM/alt-rock with a crunchy, expressive solo sound.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section of 'Konsensya' features a classic, mid-forward rock lead tone with moderate gain, characteristic of Blaster Silonga's style and likely achieved with a Vox or Fender-style amp. The tone is articulate, not overly saturated, with balanced bass and a touch of reverb for space, matching both the band's production era and genre conventions.

Sources