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If I Could Fly — Joe Satriani1 / 2
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If I Could Fly Solo Guitar Tone Settings — Joe Satriani

Joe Satriani · 2000s · rock

studio

Original Recording

Guitar
Ibanez JS1000
Pickups
DiMarzio PAF Pro (neck), DiMarzio Fred (bridge)
Amp
Peavey JSX Joe Satriani Signature Head
Pickup Position
Bridge pickup

Studio recording, 2004. Gear confirmed for 'Is There Love in Space?' album era. Satriani used the JS1000 with DiMarzio pickups and the Peavey JSX head for this album. No evidence of alternate guitars or amps for this track's solo section.

Amp Settings

Mids
6.5
Bass
5.5
Gain
7
Reverb
3.5
Treble
7
Presence
6

Effects Chain

  • Boss DS-1 Distortion · distortion
  • Ibanez WH-10 Wah · wah
  • Boss DD-3 Digital Delay · delay
  • Boss CH-1 Super Chorus · chorus

Ibanez JS1000 (bridge pickup) → Boss DS-1 Distortion → Ibanez WH-10 Wah → Boss DD-3 Digital Delay → Boss CH-1 Super Chorus → Peavey JSX Head (spring reverb on) → 4x12 cab

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Tone Character

  • singing sustain
  • liquid and smooth lead tone
  • clear articulation
  • harmonic overtones
  • tight low end
  • present upper mids
  • moderate compression
  • crystal-clear note separation
  • expressive vibrato
  • slightly scooped but present mids

Notes & Caveats

  • ⚠️No direct source lists exact amp knob settings for 'If I Could Fly' solo; settings estimated based on typical Peavey JSX usage for Satriani in this era and genre.
  • ⚠️Pedal and effect chain for the solo is not explicitly confirmed in sources; inferred from era, genre, and audible effects.
  • ⚠️No evidence of alternate guitars or amps for this specific solo section; all gear is based on studio recording info for 'Is There Love in Space?' album.
  • ⚠️No pedal settings found; effect order inferred from typical Satriani signal chain.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Satriani's 'If I Could Fly' solo features a smooth, singing high-gain lead with prominent mids and a balanced low end, typical of his Marshall JVM/Peavey JSX era tones. The gain is high but not saturated, mids are forward for sustain and clarity, treble and presence are set for articulation without harshness, and reverb is subtle, likely added in post-production for ambience.

Sources