I Stay Away — Alice In Chains1 / 2
Original RigYour Adaptation
GuitarDistortedSolo

I Stay Away Solo Guitar Tone Settings — Alice In Chains

Alice In Chains · 1990s · rock

studio

Original Recording

A reconstruction of the solo tone. Gear attributions and estimated settings are explained in the research notes below.

Guitar
Gibson Les Paul Custom (early 90s, likely black finish)
Pickups
Stock Gibson humbuckers (likely 490R/498T or similar, passive, covered)
Amp
Marshall Super Lead 100/50-watt convertible (1988, 6L6 tubes, modded by Mike Moran) blended with Bogner Fish preamp/VHT amp/Marshall cab (for lows), Bogner Ecstasy (for mids), Rockman Pocket amp (for highs)
Pickup Position
Bridge pickup

Studio recording, 1993. Solo section used the Marshall Super Lead as the primary lead amp per producer Dave Jerden. Multiple amps were blended for frequency layering. Compression (Summit) was used on all guitars. Effects chain was minimal, with wah as the main pedal effect. No evidence of chorus, flanger, or delay on this solo.

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
7
Bass
5.5
Gain
6.5
Reverb
2.5
Treble
7
Presence
6

Effects Chain

  • Dunlop Jimi Hendrix Cry Baby Wah · wah

Gibson Les Paul Custom → Dunlop Jimi Hendrix Cry Baby Wah → Marshall Super Lead (modded, with plate reverb, studio compression applied post-amp)

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Tone Character

  • thick and saturated
  • singing sustain
  • warm and mid-forward
  • harmonic richness
  • smooth attack
  • slightly aggressive top end
  • compressed for clarity
  • wah sweep accentuates phrasing
  • not overly scooped
  • studio-polished

Sources

Tone Story / Why This Tone Works

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