GuitarCleanSolo80% confidence
Floods Solo Guitar Tone Settings — Pantera
Pantera · 1990s · metal
studio
Original Recording
Guitar
Washburn Dime 333 (Dimebag signature, likely blue or sunburst finish, as used on The Great Southern Trendkill sessions)
Pickups
Bill Lawrence L-500XL (bridge), Seymour Duncan SH-1 '59 (neck)
Amp
Randall RG100ES solid-state head
Pickup Position
Neck pickup
Studio recording, 1996. Dimebag used the neck pickup for the clean solo section. The amp was a Randall RG100ES, with a likely MXR 6-Band EQ in front. Effects were added via pedals and possibly rack units. The clean solo is distinct from the distorted rhythm/lead tones.
Amp Settings
Mids6
Bass5.5
Gain0
Reverb1
Treble4.5
Presence4.5
Effects Chain
- Chorus pedal (model unknown, likely MXR Stereo Chorus or rack chorus) · chorus
- Reverb pedal or rack reverb (model unknown, possibly Lexicon PCM70 or amp spring reverb) · reverb
Guitar (neck pickup, tone rolled down) → Chorus pedal → Reverb (pedal or amp) → Randall RG100ES (clean channel, low gain, high mids, low treble)
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Tone Character
- warm and glassy
- lush and ambient
- shimmering chorus
- liquid sustain
- not harsh or brittle
- rolled-off highs
- full-bodied mids
- soft attack
- clean and articulate
- slightly compressed
Notes & Caveats
- Gain adjusted to 0 for clean tone
- No official studio session documentation for exact amp knob positions; settings estimated based on user reports and genre/era conventions.
- Pedal and effect models are inferred from Dimebag's typical rig and audible effects in the recording; no direct studio photo evidence for this specific song section.
- Some sources reference live or general Dimebag tones; only settings and gear with clear connection to the clean solo section are included.
- Presence and reverb settings are estimated based on typical Randall RG100ES behavior and user forum advice for the clean solo tone.
- Settings cross-referenced with genre and era conventions for accuracy. Dimebag used a Randall solid-state amp with high gain, tight bass, slightly scooped mids, and pronounced treble/presence for clarity and bite; the solo is dry with no reverb, matching Pantera's 90s production style and Dimebag's signature tone.