Electric Funeral — Black Sabbath1 / 2
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Electric Funeral Bass Tone Settings — Black Sabbath

Black Sabbath · 1970s · heavy metal

studio

Tone Reconstruction

A clean bass interpretation of Electric Funeral. Geezer Butler’s own demonstration is relevant to the part; a modern doom-pedal review is not evidence for the original bass rig.

Suggested practice setup. These choices help recreate the part; documented recording details and their limits are explained in the story sources.

Bass
Electric bass with a rounded attack and audible low mids
Amp
Clean-to-edge bass voice that preserves each riff note
Pickup Position
Choose a warm pickup balance with enough attack to follow the line

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
6
Bass
5.5
Gain
0
Treble
5
Presence
4.5
compression
3

Effects Chain

Start without modulation; control decay with the hands so low notes do not overlap accidentally.

Tone Matcher

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Tone Character

  • Rounded bass attack
  • Defined low mids
  • Controlled riff decay

Playing Technique

Practical suggestions for this bass line reconstruction; difficulty reflects the exercise, not an official transcription.

  • 🎸Learn the bass movement on its own · difficulty 3/5Practice the low-register line without automatically copying every guitar effect or articulation.
  • 🎸Use firm but even finger strokes · difficulty 3/5Match attack strength so a repeated note does not alternate between disappearing and overloading the clean channel.
  • 🎸Mute before a new low note · difficulty 3/5Stop the old pitch cleanly to prevent adjacent low frequencies from accumulating into a blur.
  • 🎸Keep the midrange audible · difficulty 2/5Reduce excessive bass boost if the line loses definition under the guitar, rather than adding distortion immediately.

Sources

Tone Story / Why This Tone Works

  • A dark riff with a bass foundationElectric Funeral places bass inside Black Sabbath’s Paranoid-era heavy arrangement. The line needs weight without losing its movement.
  • Butler demonstrates the materialGeezer Butler’s Classic Albums discussion includes the song’s bass part, providing a stronger playing reference than unrelated equipment reviews.
  • Clean does not mean weightlessKeep a clear fundamental and audible midrange so the bass remains present beneath the heavier guitar sound.
  • Follow the changing phraseControl the ends of notes as the figure moves, allowing its dark contour to remain recognizable.

Story sources